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The O.C
Pilot
Airdate: 5 August 2003
Written by: Josh Schwartz
Directed by: Doug Liman
Transcript by: Kaija West for TBD
Currently available at http://twiztv.com
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DISCLAIMER:
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"The O.C." and other related entities are owned, (TM) and ゥ by Wonderland Sound And Vision, Hyptonic and Warner Bros. Television in association with Fox Broadcasting. All Rights Reserved. This transcript is posted here without their permission, approval, authorization or endorsement. Any reproduction, duplication, distribution or display of this material in any form or by any means is expressly prohibited. It is absolutely forbidden to use it for commercial gain.
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SCENE 1
At night on a dark street two young men (Trey and Ryan) approach a car. There's graffiti on the walls and this doesn't look like a very nice neighbourhood. Trey raises a crow bar to smash the window.
Trey: I'm your big brother. If I don't teach you this who will?
Trey smashes the car window. Ryan jumps back. Trey opens the door and gets in.
Ryan: (looks over his shoulder uncertainly) I don't know, Trey.
Trey: (shouting) Quit being a little bitch. Get in!
Ryan slams the driver's door shut and goes around the back of the car to the passengers side.
Trey: (shouting) Yeah, come on!
Ryan looks back down the street as a police cruiser drives by. He pauses, not getting in.
Trey: Come on. Let's go Ryan!
The police cruiser reverses and turns to drive toward them, siren and lights turning on. Ryan quickly jumps in the car as Trey starts driving. Ryan looks worriedly back at the police car chasing them.
Trey: (amused) You should see your face, man. (laughs) Whoo! Yeah!
Another police car blocks their path but they Trey turns and avoids it. The chase continues. A police car rams the side of the car. The chase continues.
Ryan: (quickly, seeing they're about to collide with something) No, no, no, no, no!
They skid and slam into something. The police cars pull up.
Police: Hands up! Get them up! Hands on the dash where I can see them.
Trey and Ryan (who appear unharmed) put their hands up.
SCENE 2
In a jail Ryan is led by a guard through a hallway into a room. Now that we can get a good look at Ryan we see that he's young (16), blonde, well built and looks like a young Russell Crow. Seated at a table is Sandy Cohen, with papers and files spread all over. He has dark hair, bushy eyebrows and is wearing a suit. He looks to be in his late thirties to forties. He always seems to have an air of controlled enthusiasm and sincerity about him.
Looking up Sandy sees Ryan. The guard takes the handcuffs off Ryan.
Sandy: (stands up, sounding friendly but professional) Ryan. I'm Sandy Cohen. The court's appointed me your public defender.
Ryan looks at him, he doesn't seem very impressed. He sits down.
Sandy: (as he takes his seat again) You could do worse. You okay? They treating you alright?
Ryan: (avoiding eye contact) Where's my brother?
Sandy: Ah ... (looking at files) Trey is over 18, Trey stole a car, Trey had a gun in his pants and an ounce of pot in his jacket and a couple of priors. I'm guessing that right now Trey is looking at 3 to 5 years. But Trey's not my concern. This is your first time in lockup. I would assume you don't plan on coming back. Your grades are ... not great, suspended twice for fighting, truancy three times ... (looks up in surprise at Ryan who is still avoiding looking at him) Your test scores ... 98th percentile on your SAT ones. Ryan, 98th percentile, if you start going to class ... are you thinking about going to college?
Ryan snorts, still not looking at Sandy.
Sandy: Have you given any thought at all to your future? Dude, I'm on your side. Come on, help me out here-
Ryan: (interrupting but still not looking at Sandy) Modern medicine is advancing to the point where the average human life span will be one hundred. But I read this article that said social security's supposed to run out by the year two-thousand and twenty-five, which means people are going to have to stay at their jobs until they're ... (calculates quickly) eighty. So I don't want to commit to anything too soon.
Sandy: (laughs lightly) Look, I can plea this down to a misdemeanour. (Ryan looks at him) Petty fine, probation. But know this: stealing a car 祖ause your big brother told you to - its stupid, and its weak. Now those are two thing you can't afford to be anymore.
Ryan: Two more things.
Sandy: Do you want to change that? (Ryan's avoiding eye contact again) Then you have to get over the fact that life dealt you a bad hand. I get it. We're cut from the same deck, Ryan. I grew up no money, bad part of the Bronx, my father was gone, my mother worked all the time. I was pissed off, I was stupid.
Ryan: And look at you now.
Ryan gives Sandy a quick half grin.
Sandy: Smart kid like you. You got to have a plan. Some kind of a dream.
Ryan: (looking Sandy in the eyes) Yeah, right. Let me tell you something, okay? Where I'm from having a dream doesn't make you smart. Knowing it won't come true, that does.
SCENE 3
Day, Ryan and Sandy stand outside the jail.
Sandy: My office will contact you to remind you the date for your hearing.
Ryan: I'll remember.
An old car squeals around the corner, drives up on the sidewalk a bit then, comes to a stop in front of them.
A woman gets out. She's dressed pretty messy (shirt hanging off her shoulder, ill fitting sweater half hanging over her) and has frizzy blond hair. This is Mrs. Atwood, Ryan's Mom.
Mrs. Atwood: (angry, yelling) Unbelievable! What kinda family I got, huh? What the HELL did I do to deserve this family? You want to tell me that?
Sandy: Mrs. Atwood? I'm Sandy Cohen. I'm Ryan's attorney.
Mrs. Atwood: You should have left him there. Just like his Dad's doing. Just like his brother's gonna. (Ryan and Sandy look at each other) Let's go Ryan. (yelling) Now, Ryan!
Mrs. Atwood gets back in the car.
Sandy: I'm going to give you my card. My home number, you know, if you need something, if things get to be too much, call me.
Ryan takes the card.
Mrs. Atwood: (yelling) Let's go!
Ryan: All right!
SCENE 4
At the Atwood residence Mrs. Atwood pours herself a drink as Ryan stands across the room watching her. Her boyfriend A.J. sits watching t.v. The house is sort of open concept so they're all in the same room but it's a kitchen and a living room, not a very big place. The furniture looks pretty mismatched and old.
Mrs. Atwood: (still upset) I can't do this anymore, Ryan. I can't.
Ryan: I'm sorry, Mom.
Mrs. Atwood: I want you out of my house. (Ryan looks at her) I want you out!
Ryan: (upset) But Mom, where am I going to go?
A.J.: (not even looking away from the TV.) You heard your mother, man. Get your stuff and get out.
Ryan: Hey, this isn't your house, "man."
A.J. (getting up) Oh, you're a tough guy now?
Mrs. Atwood: A.J. don't. Ryan just get out.
Ryan: Why don't you worry about your own kids, A.J.? Instead of free loading off my Mom?
A.J. punches Ryan in the face twice.
Mrs. Atwood: Hey!
A.J. throws Ryan into a table. Mrs. Atwood turns away and lights a cigarette.
SCENE 5
Ryan zips up his backpack and leaves the house. The title "The O.C." comes on the screen but there's no opening credit sequence. Ryan rides away on his bike. It's not the best neighbourhood. The theme song
"California" starts playing. It plays throughout out the next sequence. Ryan uses a pay phone on a busy street.
Ryan: (on phone) Hey, can I crash with you tonight ... (disappointed sounding) all right.
He makes a number of calls but he appears to be getting frustrated. He slams the receiver down then hits the side of the phone several times. He pauses then searches his pockets and pulls out a rumpled business card and makes another call.
SCENE 6
Ryan sits on a low stone wall. We can see lots of graffiti on nearby buildings. An expensive black car pulls up in front of him. It's Sandy.
Sandy: Told you. You could do worse.
With Ryan's bike in the trunk of the car they drive off. First they go through a very dull and lower class looking area. Later they drive along the coast. Ryan looks out the window and sees teens playing on the beach, walking with surfboards as the sun sets.
Ryan: This is a nice car. I didn't know your kind of lawyer made money.
Sandy: No, we don't. My wife does.
SCENE 7
They drive through a guard station (or whatever you call the security checkpoint at the front of a gated community. They pull up the driveway to an enormous and very beautiful house. By this time it's dark out. The song ends.
They go to get out but Sandy pauses.
Sandy: Um, you know, why don't you wait here for a minute? I'll be back.
Sandy pulls the keys out automatically then sort of looks like he's trying to decide whether or not to take them.
Ryan: (sort of rolls his eyes) It's no fun if the key's in the car.
Sandy puts the key back in the ignition and gets out. Ryan waits in the car.
SCENE 8
In the kitchen of the Cohen's home Sandy and his wife talk. Kirsten Cohen is an attractive, young looking woman. She doesn't look especially "mom but she's likeable. She looks a little like Gwyneth Paltrow and appears to be a pretty even-tempered and sensible woman.
Kirsten: You brought him home? This is not a stray puppy, Sandy.
Sandy: I know that, Kirsten.
Kirsten: It was only a matter of time before you started bringing home felons.
Sandy: Ryan's in a felon.
Kirsten: Did you not meet him in jail?
Sandy: Yes ... technically. But it wasn't for a felony, I mean it was, but it won't be when I'm done.
Kirsten: You're endangering our home. Did you even think of Seth?
Sandy: It's only for the weekend, just till child services opens on Monday.
Kirsten: What if this is all a scam? What if he's just using you to case the house?
Sandy: He's not a criminal mastermind. He's a kid who has no one and nowhere to go. When- when did you become so cynical?
Kirsten: When did you become so self-righteous?
Sandy: Always been self-righteous. You used to find it charming.
Kirsten: He sleeps in the pool house.
Kirsten walks away.
Sandy: Where're you going?
Kirsten: To put my jewellery in the vault. (pause) Where do you think I'm going? Boy's going to need fresh sheets, towels and a toothbrush.
SCENE 9
Its now totally dark out and Ryan makes his way down to the end of the Cohen's driveway. He takes out a cigarette. He looks over and sees a young woman at the end of the driveway of the house next door, about fifteen to twenty feet away. She's sixteen, thin and beautiful. This is Marissa. At the click of his lighter she notices him.
Marissa: Who are you?
Ryan: Whoever you want me to be.
Marissa: (with an amused smirk) Okay.
Ryan lights his cigarette. Marissa looks back at the house behind her.
Marissa: Hey, can I bum a cigarette?
Ryan walks over to her gives her a cigarette then offers his lit one to her rather than his lighter. She leans close and puffs her cigarette against his. She smiles at him and he backs away to where he was standing before.
Marissa: So, what are you doing here, seriously?
Ryan: Seriously? (takes a drag from his cigarette and starts walking back to her) I stole a car. Crashed it. Actually my brother did. Since he had a gun and drugs on him he's in jail. I got out and my Mom threw me out. She was pissed off and drunk. So Mr. Cohen took me in.
Marissa: You're their cousin from Boston, right?
Ryan: Right.
Sandy walks up behind Ryan. Marissa drops her cigarette.
Sandy: Hi, Marissa.
Marissa: Hey, Mr. Cohen. I was just meeting your nephew.
Sandy: (looks confused for a moment) Oh. My favourite nephew, Ryan (claps Ryan on the back) All the way from Seattle.
Marissa: Seattle?
Ryan: Dad lives there. Mom lives in Boston.
Marissa: Hmm.
Sandy: So we're all really excited about your fashion show fund-raiser tomorrow night.
Marissa: Really? You are.
Sandy: (running a hand through his hair, taking a deep breath) No.
Marissa laughs obviously not surprised or upset by his honesty.
A big pick-up truck pulls up. The driver (a young man) calls out the window.
Driver: Come on, let's go.
Marissa: (to Ryan) Hey, you should come by, check it out. If you don't have other plans. See you.
Sandy: Good night.
Marissa climbs up into the truck and kisses the driver.
Driver: (to Marissa) Who's that kid?
They drive off.
Sandy: Let's go inside. (they start walking up the drive) Uh, there's no smoking in this house.
Ryan drops his cigarette and continues up the driveway. Sandy quickly runs back and stamps it out.
SCENE 10
Ryan and Sandy go into the pool house where Kirsten and Rosie the maid are. The pool house is looks more like a living room than a storage area. It's furnished and has light wood floors and the walls are all floor length windows. It's big and very nice.
Sandy: So this is where you're going to be staying. And this is the Queen of the manor herself, my wife
Kirsten.
Kirsten: (sounding polite but formal, like forced friendliness) Hello, Ryan, welcome to our home. If you need anything Rosie here can help you.
Ryan: Thank you, thanks very much.
Sandy: We'll see you in the morning. Make yourself comfortable.
They leave Ryan alone in the pool house.
SCENE 11
In the morning Ryan comes out of the pool house, blinking in the bright sunlight. He gets a better look around. There's a big pool, and a gorgeous view of green hillside, with the city beyond and the ocean the other way. Ryan enters the main house and finds a teenage boy sitting cross legged on the floor in front of the TV playing a video game. This is Seth, the Cohen's son. He looks about Ryan's age but he doesn't share his strong build. He's got black curly hair, an alert ex-pression and his mannerisms that are kind of jerky. He's a little bit of geeky by in an endearing rather than repulsive way and tends to talk rather quickly.
Seth: Hey.
Ryan: Hey.
Seth: Do you want to play?
Ryan shrugs.
SCENE 12
Some time later both guys are sitting on the floor. They look like they've made themselves comfortable and are eating breakfast at the same time as playing video games.
Seth: (quickly, excited) Oh, looks like someone's trying to be a hero but you got a little cocky. X O, X O it's an unbeatable combination. Oh, oh, ... (nearly shouting, excited) OH! What happened to your head, dude? Where did it go? I'm sorry did someone die? Oh, hey, do you want to play Grand Theft Auto? It's pretty cool, you can like, steal cars ... (realizes what he's said) Not that that's cool. Or uncool, I don't know, um-
Sandy comes in carrying groceries.
Sandy: I see you two have met. Seth, what are you doing inside on this beautiful day? Why don't you show Ryan around?
Seth: (sarcastically) Okay, cause it's so great around here. There's so much to do, Dad.
(Seth frequently uses sarcasm like this but he keeps him tone even when he says these things, kind of deadpan.)
Seth: (to Ryan) I don't know, unless, what do you want to do?
Ryan: What do you guys do around here?
SCENE 13
Seth and Ryan are on a catamaran on the water. It has a rainbow coloured sail and the name "Summer Breeze" is on the side. Seth pulls ropes to adjust the sails with familiarity. Ryan looks somewhat confused. Sometime later they have the boat stopped, floating in the water, and are sitting, talking.
Seth: I have, um, this plan. Well, I don't-I don't know you'd think but um, next July the trade winds shift west, I want to sail to Tahiti. I can do it in forty-four days, maybe even forty-two.
Ryan: Wow. That ... that sounds really cool, man.
Seth: Yeah. Just hit the high seas and catch fish right off the side of the boat. Grill them right there. (pause) Just total quiet. Solitude.
Ryan: You won't get lonely?
Seth: Well, I'll have Summer with me.
Ryan: (motioning to the boat they are on) You're going to take this to Tahiti?
Seth: (chuckles) Um, no. It's the girl the boat's named after.
Ryan: She must be pretty stoked.
Seth: Yeah, she has no idea. I've never talked to her before.
Ryan shakes his head a bit.
SCENE 14
On the beach the boat is now pulled up on the sand and Seth rolls up the sails. Sandy walks down the beach to them.
Sandy: Hey, fellas. I thought we'd head over to the fashion show at about 7.
Seth: Yeah, have fun.
Sandy: Come on. It's a whole new school year, Seth.
Seth: It's also the same kids, Dad. Why do they even need a fashion show? Everyday's a fashion show for these people.
Sandy: Yeah, well Ryan has to go. Marissa invited him.
Seth: (to Ryan) Marissa invited you? I've lived next door to Marissa for like, forever, her Dad almost got married to my Mom even, and, like, she's never even invited me to a birthday party.
Sandy: That is not true. They did not almost get married.
Seth: (dismissively) Eh.
Ryan: Hey, maybe Summer would be there.
Seth: That's interesting. She IS Marissa's best friend. (pause) Seven?
Sandy: Seven.
Seth: Seven. (starts walking away)
SCENE 15
Marissa stands out on her balcony. She sees Sandy, Seth and Ryan walking up the beach. She hears the doorbell and goes to the door. When she opens it there's a couple guys in suits there.
Man: Hello, again.
Marissa: My Dad's not here.
Man: And when can we expect him?
Marissa: I don't know.
Man: (unconvinced) Mmm Hmm. Well, then, when you see your father PLEASE remind him again how much we'd like to talk. Let me leave you another one of my cards. (hands her a business card, unenthusiastically) Have a good day.
Marissa closes the door. She looks at the card and it says "Steve Pearlman" and its from the "U.S. Securities and Exchange Commission." She goes to her Dad's study, near the front door. Inside is her father, Jimmy Cooper. He's a pretty average looking guy but he has a nervous air about him.
Jimmy: Hey. Thanks, Kiddo. I just didn't have time to deal with those guys right now.
Marissa: Who are they?
Jimmy: Suits. Bureaucrats. "The Man."
Marissa: But, I mean, everything's okay, right?
Jimmy: Yeah, it's just-it's just a thing with uh, a client. Nothing for you to worry about, okay?
Marissa leaves.
SCENE 16
In the pool house Ryan stands in front of a mirror and tries unsuccessfully to tie his tie. Finally he gives up and pulls on his suit jacket. There's a knock at the door then Sandy comes in.
Sandy: Wow. Look at that. It fits you beautifully. Where's your tie?
Ryan: I'm not going to wear one. Open collar - it's a good look.
Sandy: I didn't know how to tie a tie till I was 25. Come on, give me your tie. (Ryan gives the tie to Sandy) Button your top button. All right collar up. (Sandy ties Ryan's tie) Now, the skinny side has got to be shorter than the fat side. How much shorter changes tie to tie. Sometimes it's just a mystery. All right. So, you got to hang out with Seth. How was that? Was that...? Was that uh, all right? He's an interesting kid if you get to know him.
Ryan: He's cool.
Sandy: (pause) Cool. (pause) Alright, there you go. (finished with tie) Turn around, look at you. (Ryan turns and looks in the mirror, Sandy stands behind him) Huh? Beats a jumpsuit.
Ryan gives a little half smirk. Sandy leaves, Ryan keeps looking at himself in the mirror.
SCENE 17
At the Cooper home Julie and Kaitlin primp in front of a big mirror. Julie Cooper (Jimmy's wife) is rather flashy, with lots of make up and looks like she just might have had plastic surgery at some point. She's pretty much what you'd expect a stereotypical, rich wife to look like. Kaitlin looks about 8-10 years old and is all dressed up, hair done.
Kaitlin: Oh, Mom, do you like my nails?
Julie: Oh, I love them Kaitlin. Do you like my hair this straight or is it look Avril Lavigne?
Marissa comes up behind them.
Marissa: No, it looks good Mom.
Julie: Oh Marissa you look ... honey, I thought you were going to wear your hair down. Pulled back like that it's a little harsh on your angles.
Marissa looks disappointed by Julie's reaction. Jimmy comes into the room.
Jimmy: Okay, lets go.
Julie: It's going to be so amazing tonight. Are you going to wear the Donna Karen, Mariss? I thought it was very forgiving.
Jimmy: (to Marissa) You look beautiful, kiddo.
SCENE 18
At the fashion show well-dressed people mingle outside. Ryan, Seth, Sandy and Kirsten arrive. A waiter offers hors d'oeuvres to Ryan.
Waiter: Mushroom leek crescent? Crab and Brie phyllo?
Ryan just looks but doesn't touch the food on the tray. Seth leans in close.
Seth: Welcome to the dark side.
As Ryan walks a woman stops him.
WoMan: Oh, so, you must be the cousin from Boston, hmm? I don't know how you do it. I could just never live there. I HATE the cold.
Ryan just grins.
Later another woman talks to him and kind of pets his arm as she talks.
Woman: Do you ... like Seattle? I mean all that rain, isn't it depressing?
Later yet another woman talks to Ryan.
Woman: Did I hear you were from Canada?
Ryan: Yes, you did.
Woman: Mmm.
SCENE 19
Still outside at the fashion show party the sun has now gone down. Ryan make his way to the bar.
Ryan: (to the bar tender) Hi. Can I uh, can I get a seven and seven?
Ryan looks sort of surprised as the bar tender goes to get his drink. When he gets the drink Ryan takes a sip and just as he lowers the glass Kirsten has come over. She gives the drink a look. Ryan hands it over.
Kirsten: Thank you. (pause) I want my husband to be right about you.
SCENE 20
Still at the fashion show party a young couple walks past a young guy standing near the bar. The guy standing there is the same one that picked Marissa up earlier in the truck. His name is Luke and he's a jock type.
Young Guy: Hey, what's up?
Luke: Lock it up, Norland.
Young Guy: Lock it up, Luke.
After they pass Seth, standing nearby, waves to Luke.
Seth: Hey, Luke. What's up?
Luke: (pauses, then very friendly sounding) Hey! Yeah. (walks right up to Seth, suddenly very unfriendly) Suck it, queer!
Luke walks away but bumps into Ryan who holds his ground and stares at Luke. Luke walks away.
Seth: (in conversational tone) My vacation was great, too. Thank you for asking about it.
Seth notices some girls, including Marissa, standing some distance away. Ryan has his back to them.
Seth: Summer's right over there. (quickly) Look. I'm sorry, don't look. Don't look. But I mean you can look, but don't look like you're looking.
Sandy walks up to Seth and Ryan. Ryan looks over at the girls.
Seth: Hey, Dad.
Sandy: Hey, guys.
Over across the way the girls look back. Summer is a young, attractive woman in her mid to late teens.
Summer: Who is that?
Marissa: The cousin, the pool boy? (laughs) I don't know.
Summer: Well, I'm going to find out.
Back on the boy's side Sandy points rather obviously.
Sandy: Is that Summer?
Seth: (looking/sounding embarrassed or nervous) You know, I'm, going to go, uh, sit.
Seth leaves.
Ryan: Way to salt his game, Mr. Cohen.
Ryan follows after Seth.
SCENE 21
Seth walks up to a table.
Seth: Hello, Chester. Are these seats taken?
We see it's the kids' table. All the kids look at least a good five or more years younger than Seth and Ryan. The kids don't answer Seth.
Seth: (taking a seat) Okay.
Ryan looks around then takes a seat. He looks at one of the kids at the table and the kid looks back at him.
Seth: So, Chester, are you looking forward to your next sailing lesson? You're making some really good strides. (the kid nods his head) Okay, I'm glad we had this little chance to catch up.
The kid still says nothing and Seth kind of gives him a weird look.
On stage Marissa comes out. People clap.
Marissa: (into microphone) Thank you, thank you. Thank you all so much for coming. Every year we put on a fashion show to raise money for the battered woman's shelter. It's such a good cause, you guys and we couldn't do any of it without your support and the support of Fashion Island and all their great stores. All right, enjoy the show!
Everyone applauds as the first model comes out. It's Summer.
Seth: She has Tahiti written all over her.
SCENE 22
The dressing room is big and full of people. Everyone's running around or getting dressed.
Random person: Has anyone seen my Betsey Johnson dress?
A woman in charge looks at one girl.
Woman: Oh, no. Much too much makeup.
An angry Mother comes up to her.
Girl: What are you doing putting my daughter in Calvin Klein? She was supposed to wear Vera Wang.
Woman: And she would if she had the chest to hold it up. It's called puberty, honey. It'll happen. (to models) Okay girls. Chop, chop!
SCENE 23
In a bathroom Marissa puts on lip gloss in front of a mirror. A coordinator girl pokes her head in.
Girl: Marissa, you're next.
When the coordinator girl leaves Marissa wipes under her eyes tiredly.
Summer comes in with two glasses in her hands (champagne or wine). She's either a bit drunk or really excited. Marissa smiles and suddenly seems just as excited.
Summer: (holding the two glasses) Look what I stole.
Marissa: (reaching in bag) Look what I stole.
Marissa pulls out a big bottle of vodka.
Summer: All right! Here. (gives her the glass)
Marissa: Thanks.
They clink glasses and drink.
SCENE 24
Marissa walks down the runway. Luke claps for her but she looks only at Ryan who looks back at her. Luke notices that and turns to someone sitting beside and says something to them looking angry.
SCENE 25
At a table the Cohens, the Coopers and some other people sit watching the show.
Kirsten: She's so beautiful, you guys.
Sandy: (to Jimmy) Coop, I think you spent more on that dress than I make in a year.
Man: That's why we trust him with our money. I expect to die a very rich man, Jimmy.
Sandy: Well, you're bound to be half right.
Jimmy looks upset or like he's going to throw up. Kirsten notices.
Kirsten: You okay, Jimmy?
Jimmy: Oh, yeah, it's just, uh, it's a little bit stuffy in here. (to Julie) Honey, I'm uh, going to get some fresh air, okay?
She ignores him. Jimmy leaves the table.
Julie: Marissa wanted to wear these Prada Mary Jane's but I told her she had to wear the stiletto Manolos.
Kirsten looks concerned, meets Sandy's eye.
SCENE 26
Ryan is in the bathroom washing up when Jimmy enters. He gives Ryan a distracted nod before ducking into a stall. Jimmy's freaking out, hands to his head, rips the toilet paper fixture off, making groaning noises. Finally he sits down on the toilet lid and starts sobbing. Ryan hears this as he fixes his tie in the mirror.
SCENE 27
As people leave the show Ryan walks down some steps and Summer comes over, grabs his arm.
Summer: Hey. Where you going? My friend Holly, no, well her parents, are letting us use their beach house, as a gift. You know, cause of all our hard work we did for charity.
Ryan half grins at her.
Summer: (flirty) If you need a ride... or... anything, I'm Summer.
Summer goes and joins her pack of excited, teenage girls and they head for a jeep. Ryan watches then heads over to Seth who is talking with an older gentleman.
Seth: Hey, ready to go?
Ryan: We should, uh, go to that party, at that girl Holly's place.
Seth: Uh, yeah, no, it's all right.
Ryan: Summer invited me.
Seth: Really? She did? (suddenly his face falls a bit)
Ryan: (quickly) Us, uh, she asked for you actually.
Seth: (not convinced) Really? She did?
They look over and the girls, standing out the top of the packed, topless jeep whoop.
Summer: (shouting) Come on!
Seth: That makes absolutely no sense but yes, we should go. (Turning to the gentleman he was talking to earlier) Um, we're going to go with them. Thanks, Gus.
Ryan and Seth get into the jeep with the girls. Ryan sees Marissa getting into Luke's truck.
Seth: If it sucks we can always bail.
SCENE 28
The jeep pulls up to the beach house and it's a party inside and out. Ryan and Seth walk inside. Rap music plays. There's a table full of bongs and someone snorts drugs off the table. A guy dancing puts his hand under a girl's shirt. A girl dancing takes off her dress. Ryan and Seth look around.
Ryan: Welcome to the dark side.
Ryan starts walking through and Seth follows looking nervous. Seth walks by the drug table.
Seth: (quietly) Oh, hey cocaine. That's awesome.
SCENE 29
At the drink table a bunch of girls stand fixing drinks and talking. Marissa pours vodka onto her glass.
Summer: (huffs) Is that a new purse?
Marissa: Yeah.
Girl: So cute.
Summer: Does your Dad ever say no? (nodding toward Ryan) Look who I brought.
Girl: He's cute.
Marissa pours more vodka into her glass.
Summer: I'm going to play him hot AND cold. You want to pee? I got to pee.
Summer and another girl go. Marissa walks away from the table. Luke watches her go then turns to a pig-tailed girl beside him.
Girl: Isn't it like, SO beautiful? The sand and the water...
Luke: Yeah. Hey, you wanna go check it out?
Girl: But, what about Marissa?
Luke: Hmm? Oh, no worries.
They walk out the door to the beach. Luke looks back over his shoulder a couple times then puts his hand on the girl's back and pulls her close. Ryan's at the keg pouring a drink. He sees them leave together.
SCENE 30
Outside the Cohen's home Kirsten throws out some trash. She sees Jimmy walking his dog and goes over to him.
Kirsten: Hey, Jimmy.
Jimmy: Hey.
Kirsten: (to the dog) Hey, Dusty.
Jimmy: Dusty, look who's here.
Kirsten: Are you really okay?
Jimmy: Oh, yeah, yeah. Yeah. (runs a nervous hand through his hair)
Kirsten: Cause you know you can always...
Jimmy: No, you know, I've just been working really hard. So who was that, that kid that you brought tonight. You have a cousin from Boston?
Kirsten: Uh... one of Sandy's clients. He... brought him home for the weekend.
Jimmy: Uh-huh.
Julie: (shouting from their doorway) Jimmy? Honey, did you get my fro yo?
Jimmy: (sighs then shouts back) No, I forgot.
Julie shrugs at him in a "well" kind of way.
Jimmy: (shouting) Uh, I'll, I'll go back.
Julie: Pistachio. Thanks, sweety. Hi, Kirsten.
Kirsten waves, Julie goes back inside and Kirsten and Jimmy laugh lightly.
Jimmy: Fro yo. You ever think this would be our lives?
Kirsten: Is Marissa back yet?
Jimmy: Oh, well, she usually stays out pretty late.
Kirsten: Well Seth never goes out.
Jimmy: Don't worry. I'm sure they're not doing anything we didn't do.
They laugh lightly.
Kirsten: (maybe sarcastic) Well, that's comforting.
SCENE 31
Back at the beach house party Seth opens a door and there's a threesome bubble bath going on in the room. He quickly turns away.
Seth: Wow. I'm sorry. I should really learn to knock in case there's a threesome going on in the bathroom.
He closes the door.
SCENE 32
At the drug table the guys look pretty out of it. A girl dressed in a bathing suit dances nearby.
Guy: (pointing) That's the keg! Everybody get naked!
Seth's standing closest to the guy and he sort of looks around.
SCENE 33
Marissa walks up to Ryan (who, incidentally, other than Seth, is the only one still wearing a suit).
Ryan: Hey.
Marissa: (takes the drink from his hand and drinks it) So, what do you think of Newport?
Ryan: I think I can get in less trouble where I'm from.
They look at each other.
Girls: (shouts from the card table) Hey, Coop! It's your turn to deal.
Marissa: (to Ryan) You have no idea.
She smiles and walks away.
SCENE 34
Over at the keg the guy who shouted about getting naked is now passed out.
Seth: I fixed the keg. (offers the guy a drink which, of course, he doesn't take) All right, more for me then.
Nearby a pack of nearly identical looking blonds all talk on their cell phones. Ryan stands nearby. Summer comes through the door, obviously drunk.
Summer: Look (pause) who I found. (goes over to Ryan and spills her drink on him) Ooops! I'm wasted.
Ryan brushes off the suit and she "helps" basically rubbing her hands on his chest. She wraps her arms around his neck.
Summer: So what's your name anyway?
Ryan: Ryan.
Ryan tries to push her off of him. Seth comes outside.
Seth: You got to come...
Seth stops talking when he sees them.
Seth: (upset) What are you doing?
Ryan: Hey, um... (moves away from Summer)
Summer: (sounding offended/insulted) Excuse me!
Seth: (upset) What are you doing? I named my boat after her.
Summer: (laughs) What? Eww, who ARE you?
Ryan: (quietly) It's not what you think. She's just a little but drunk.
Summer comes up behind Ryan and wraps her arms around his neck.
Summer: Come on, Ryan.
Ryan pulls her off. Seth walks off back into the house. Ryan chases after him.
Ryan: Seth, Seth, Seth.
Seth grabs Ryan and shoves him against something.
Ryan: (very upset) You know what? Why don't you just go back to Chino? I'm sure there's a really nice car in the parking lot you could steal.
Marissa and everyone else sees/hears this. Seth takes off down the beach.
Summer: (laughs) Chino? Eww...
Ryan walks away but nearly bumps into Marissa who just looks away. Ryan walks a little further into the house and notices people looking at him and talking about him.
SCENE 35
Seth walks down the beach to the fire and tosses something in. He nods at the guys there. Several of the guys around it start shoving him around.
Guy: Go home, geek.
Other Guy: (shoving Seth) Who invited you?
Ryan, still near the house, sees Seth getting shoved.
Seth: You guys really wouldn't hurt me, because, you know, that'd be so cliched. (they lift him up) Oh, I guess you're fans of the clich・
Guy: Shut up.
Ryan: (running over) Hey, hey! Put him down! Put him down.
Seth: (upside down, still held by the guys) Hey, Ryan. (gasps) What's up?
Ryan: Put him down.
Luke: Hey, what's up, dude? You got a problem?
Luke's pulling on his shirt and the girl he left the party with earlier is there too and her hair/clothing looks a little "rumpled".
Ryan: You tell me.
The guys drop Seth to the sand. Ryan punches Luke in the face. Luke tackles Ryan and starts hitting him. A couple guys pile on. Seth pulls one off then pauses like he doesn't know what to do and gets punched in the face. Luke gets up and kicks Ryan who's laying on the sand.
Luke: (to Ryan, walking away) Welcome to the O.C., bitch! This is how it's done in Orange County.
Ryan lies on the sand as the guys walk away.
SCENE 36
Seth and Ryan enter the pool house looking beat up and tired. Ryan has an obvious bruise on his face. Seth plunks down on some cushions. Ryan slowly sits on the end of the bed and pulls off his tie, then suit jacket and shirt.
Seth: (a little drunk/goofy sounding) Well, I ... I don't know what to say ... except that you totally had my back out there. We're, like, in a fight club or something. I don't know. You know what I think? Ryan, I think that if you were to teach me some moves. I think that we could totally take 粗m next time. That's what I think. A little bit of that. (kicks foot while sitting down) You know what I mean? A little bit of that, that. (kicks feet from seated position) What do you think about that? Yeah. (they slap/shake hands) Oh, also, that wasn't exactly way that I first planned to talk to Summer. But, I am now on her radar. Do you think I should tell her about Tahiti? Do you?
Ryan: (smiles and rolls his head) Not yet.
Seth: That's what I thought. See that's what I was thinking. I wanted to make sure we were, like, on the same page. Quite a little night we had there. (curls up in the cushions, sleepy) I'm not going to forget it. Ryan, I'm not going to forget that one.
Ryan looks over to say something but sees Seth has fallen asleep on the pile of cushions, still wearing his suit.
SCENE 37
Ryan walks outside. He sees a jeep pull up at Marissa's house then Summer and another girl carry a passed out Marissa up the driveway. They are giggling and obviously drunk.
Summer: I can't believe her.
Girl: I swear to God she is so retarded sometimes.
Summer: Shouldn't her boyfriend be doing this? (giggles) He's so worthless.
They sort of trip/drop her. They giggle and shush each other.
Summer: (whispering) Coop, where are your keys? (no answer from Marissa, still passed out) How are we going to find her keys? (roots through Marissa's purse) I can't find her keys.
Girl: We can't wake her parents. Her dad'll go ballistic.
Summer: I know, I know. (gets up) Bye, Coop.
Girl: Call us.
Summer and the girl leave Marissa lying on her driveway. Ryan watches them leave. He goes down to where Marissa is and, after shooting a couple worried glances at the house, tries to wake her.
Ryan: (taping Marissa's arm lightly, whispering) Hey. (no response from Marissa, then to himself) Get your keys.
Ryan looks in her purse for the keys, still glancing at the house worriedly. Ryan carries Marissa (still passed out) to the pool house, puts her on the bed and covers her with a blanket.
SCENE 38
The next morning Ryan (he slept on some flat, mattress thing on the floor) wakes and sees the bed where he left Marissa is empty. Seth is still asleep on the cushions. Kirsten enters the pool house.
Kirsten: (sounding angry and relieved) Thank God. (sighs)
Seth stirs and half waves at her.
Kirsten: What happened to your face?
Seth: Mmm. I got into a fight.
Kirsten: With who? Why?
Seth: I don't really know. I don't really remember. Um... I was really drunk. Yeah, I think I still am a little bit. (slouches to lay back down)
Kirten: (pissed) Let's go, house, now.
Kirsten grabs Seth by the hand and yanks him up and pulls him out of the pool house.
At the doorway Seth turns and tries to wave as he stumbles through.
Seth: Later.
Kirsten glares at Ryan before shutting the door.
SCENE 39
Sandy (in beach attire) unloads his surfboard from the car. Kirsten walks over from the doorway.
Sandy: Oh, Honey, you should have seen the waves coming in. Six foot and it was going off-
Kirsten: (angry) Seth got into a fight.
Sandy: He did?
Kirsten: This is what happens when you let someone like this into our house. When you let our son hang out with criminals.
Sandy: Well, at least he has someone to hang out with. Don't salt his game, honey.
Kirsten: What the hell does that mean?
Sandy: I ... it ... I don't know. I just know that I'd rather have Seth hanging out with Ryan than some trust fund kid from around here who only cares about getting a new Beemer every year. There's a whole world outside this Newport beach bubble.
Kirsten: You don't seem to mind living in this bubble.
Sandy: I-I know there's something else out there. You remember when we were twenty-two? What did you say? You said you'd never... you'd never be like you parents, never have their life.
Kirsten: I was twenty-two. I stank of patchouli and I lived in the back of a mail truck.
Sandy: And you were fun. And rebellious... and... and... (smiles) you married me.
Kirsten: I can't. I'm sorry. I don't want this kid in my house anymore.
Kirsten starts walking back to the door.
Sandy: Where's he supposed to go?
Kirsten: (stops and turns) He has a family, Sandy. It's not up to you to decide whether or not they're good enough.
Kirsten goes back into the house.
SCENE 40
Kirsten goes into the kitchen and stands stiffly, arms crossed. She remains like that throughout the scene. Ryan is there looking out the window.
Kirsten: Look, Ryan, I don't mean to play bad cop. It's nothing personal.
Ryan walks over to the stove and pushes something with a spatula.
Kirsten: Is that bacon?
Ryan: I usually make breakfast at my house. My mom's not much of a cook so, ...
Kirsten: I'm sorry. You seem like a really nice kid.
Ryan: It's okay. (brings bacon to the set table) I get it. (walks over to where Kirsten's standing) You have a really nice family.
Ryan leaves the kitchen, his backpack with him.
SCENE 41
In his bedroom Seth sleeps. Ryan walks in and knocks on the door jam (the door was open).
Ryan: Hey, man.
Seth: (rolls over) Hey.
Ryan: Hi. So, ... I gotta jet.
Seth: Are you leaving? So ... (goes to get up but almost sits back down on the bed wincing like he's got a hangover) um. So, what's up? (walks over to Ryan)
Ryan: I got to go back. Try to figure some stuff out back home.
Seth: Okay. Well ... cool. Or ... not cool, but, uh, you know, what I think I mean.
Ryan offers his hand to shake.
Seth: Come here.
Seth pulls Ryan into a hug. Ryan slowly hugs back a bit. They part.
Seth: I'll come down to Chino. You know, I'll visit you. You can show me your world. Or your (finger quotes) hood, or ...
Ryan: All right.
Ryan turns to leave. Seth stops him.
Seth: Wait a second. Just wait a second. (walks over to the desk and grabs something then gives it to Ryan) Maybe there's someplace you want to go. (Ryan looks at the folded up map and flips it over, it's folded to show Tahiti) It's pretty good for ideas.
Ryan smiles and chuckles softly. He lightly slaps Seth in the face with the folded up map.
Seth: (amused) Ah!
Ryan leaves.
Seth: (smiles and waves) Okay.
SCENE 42
Ryan and Sandy are in the car (Ryan's bike is loaded in the trunk). As they pull out of the driveway Marissa is standing at the end of her drive and she watches them. Ryan looks pretty unhappy. He looks back over his shoulder, watching her as they drive away until Luke's truck pulls up and blocks his view. As they drive back to Chino Ryan looks sad (or thoughtful or depressed - it's all kinda hard to tell). Sandy looks pretty bummed too. They pull up to Ryan's house (there's an old mattress in the front yard, ratty easy chair on the porch).
Ryan: So, thanks. For everything.
Sandy: I'm going to make sure everything works out,
Ryan.
They get Ryan's bike out of the trunk. Ryan heads for the house.
Ryan: It's okay. I can take it from here.
Sandy stands by his car watching. Ryan unlocks the front door and goes to walk in but stops short, looking around. The house is empty except for some random, abandoned junk. All the furniture is gone. Ryan quickly looks in a couple rooms but finds nothing. He returns to the kitchen area and finds a note on the counter. Leaning his head against the cupboard he picks it up and crunches it in his hand. Sandy comes in the open front door and looks around. Ryan turns and looks back at him.
Sandy: Come on, let's go.
Ryan, looking kind of shocked and blank, walks over to the door. Sandy puts his arm around his shoulders and pulls the door shut as they leave.
안돼! 안돼!
손들어!
두 손을 볼 수 있게 계기반에 올려놔!
라이언. 난 샌디 코헨이다.
법원이 날 네 관선변호인으로 지명했단다.
이 정도면 양호한거다.
- 괜찮니? 그 사람들이 잘 대우 해준거니?
- 형은 어딨어요?
음. 트레이는 18살이 넘었더구나. 차를 훔쳤고,
총기를 소지한데다가, 주머니에 마리화나
30그램을 지녔고 전과 2범이더구나.
내 생각엔 트레이는 3년에서 5년형을 받을거 같다.
하지만 트레이는 내 관심사가 아니지.
교도소는 처음이지?
네가 여기 다시 올리는 없다고 생각한다만.
네 성적이.. 훌륭하진 않구나.
싸우다가 정학당한게 2번, 등교거부가 3번…
네 시험점수가, SAT에서 98퍼센트?
※SAT : Scholastic Aptitude Test 학습 능력 적성 시험
라이언, 98퍼센트야,
공부 다시 시작해서 대학 갈 생각 없니?
네 미래에 대해서 전혀 생각 해본적 없니?
이봐. 난 네 편이야. 좀 도와줘봐.
현대의학은 인간의 평균수명을
100살까지 늘려놨어요.
하지만 사회보장제도가 2025년 안으로
파산한다는 기사를 읽었어요.
이건 사람들이 80세 까지
일을 해야 한다는 걸 의미하죠.
그래서 전 어떤것도 빨리 결정하고 싶지 않아요.
이봐, 난 이걸 경범죄로 형량을 낮출 수 있어.
더 좋으면, 집행유예로 끝날 수 있지.
하지만 이건 알아둬. 형이 하라고 했다고 차를
훔치는 것은 어리석은 짓이고 한심한 짓이야.
그리고 그런 짓은 네가 더이상
앞으로 전진하지 못 하게 하지.
- 그것만은 아니겠죠.
- 그걸 바꾸고 싶어?
그럼, 넌 네 인생이 나쁜 쪽으로만
흘러간 사실을 이겨내야해.
난 알아. 나도 같은 처지였어 라이언.
난 돈도 없이 브롱크스 후진데서 자랐다구.
아버지는 돌아가시고,
어머니는 하루종일 일 나가셨지.
난 화만 냈어. 어리석었지.
그런데 성공하셨네요.
너같이 영리한 애는 계획을 가져야 해.
이를테면 꿈 같은거.
예 맞아요. 나도 말 좀하게 해줄래요?
내가 자란 곳에서는요,
꿈을 가지는게 영리한게 아니에요.
꿈은 이루어지지 않는다는걸 아는게 영리한거죠.
내 사무실에서 네 심리날짜를 알려줄거다
기억하죠.
믿을수가 없어!
이 집안은 대체 왜들 그런거야, 어?
내가 도대체 너희들에게 뭘 더 해줘야 하니?
네가 말좀 해봐.
앳우드 부인? 전 샌디 코헨입니다.
라이언의 변호사죠.
당신은 이 애를 그냥 교도소에
집어넣어 놓았어야 했어요.
이 애 아버지처럼
이 애 형처럼 말예요.
가자, 라이언. 빨리!
내 명함을 주마. 내 집 전화번호다.
누군가 필요하거나 힘든 일 생기면, 전화해.
- 가자구!
- 알았어요!
난 더이상 견딜 수가 없어, 라이언.
난 못해.
미안해요, 엄마.
네가 집을 나가주었으면 한다.
나가!
하지만 엄마... 내가 갈 데가 어디있어?
네 엄마 말 들었지.
짐 싸서 나가.
- 이봐, 여긴 네 집이 아니라구.
- 오, 이젠 터프가이 흉내냐?
A.J, 그러지마. 라이언, 그냥 나가라.
니 걱정하지 그래 A.J?
우리 엄마한테 얹혀 살지만 말고 말야?
그만!
그만해!
The O.C. Season 1
Episode 01 - Pilot
동영상 제공 : 강태웅
영문자막 제작 : 테리 (terius2k@nate.com)
번역 및 한글자막 제작 : 송용호
통합자막 제작 : 김정환 (golbin_i@hanmail.net)
네이트 드라마 24 (http://club.nate.com/24)
자막 수정은 자유롭게 하시고요.
무단이동은 삼가해주세요.
이동시 문의바랍니다.
말했지. 이 정도면 양호한 편이었다고.
좋은 차네요.
아저씨가 돈 잘 버는 변호산줄은 몰랐어요.
아냐. 난 못 벌어.
내 아내가 잘 벌지.
음, 여기서 잠깐만 기다릴래? 곧 돌아오마.
열쇠 꽂힌 차엔 관심없어요.
그 애를 집에 데려왔어요?
- 그 애는 길잃은 강아지가 아녜요, 샌디.
- 나도 알아, 크리스틴.
당신이 범죄자를 집안에 들이는게
시간문제일 줄 알았어요.
- 라이언은 범죄자가 아냐.
- 당신 그 애를 감옥에서 만나지 않았어요?
그래, 법적으로는 그렇지. 하지만 중죄는 아냐.
그리고, 범죄는 저질렀지만,
내가 범죄자가 안되게 만들거잖아.
당신은 우리집을 위험에 빠뜨리고 있다구요.
당신, 세스 생각은 해보기나 했어요?
이번 주말만이야.
월요일에 아동보호소가 문을 열때까지만…
이게 모두 사기라면요?
우리집을 털기전에 살펴볼려고
당신을 이용하려는 거라면요?
이 앤 악질범죄자가 아냐.
아는 사람도, 갈데도 없는 아이일뿐이라고.
- 당신 언제 그렇게 냉소적이 된거야?
- 그런 당신은 언제 그렇게 독선적이 된거예요?
난 언제나 독선적이었어.
- 당신은 매력으로 알아주었잖아.
- 그 앨 수영장 관리소에 재워야겠어요.
- 어디가는데?
- 내 보석들을 금고에 넣으러요…
내가 어딜 갈거라고 생각해요?
새 시트랑 타월하고 칫솔이 필요할거 아녜요.
- 당신 누구죠?
- 누구든 당신이 바라던 사람이겠죠.
오...그렇군요.
이봐요, 담배 하나만 줄래요?
- 진짜로 당신 여기서 뭐하는 거죠?
- 정말 알고싶어요?
차를 훔쳐서 부셔버렸죠.
사실은 내 형이 그랬지만요.
형이 총이랑 ㅁㅇ을 가지고 있어서요,
형은 감옥에 갔죠.
난 석방됐고 엄만 날 내쫒았어요.
엄만 무척 화나있었고 취했었거든요.
그래서 코헨씨가 날 여기 데려왔죠.
당신 보스톤에서 온 코헨씨네 친척이죠, 맞죠?
맞아요.
- 안녕 마리사.
- 안녕하세요 아저씨.
아저씨 조카 만나고 있었어요.
오. 내가 매우 좋아하는 조카지.
라이언이라고해. 시애틀에서 왔어.
- 시애틀이라구요?
- 아버지가 거기 살아요. 어머니는 보스톤이구요.
흠.
우린 내일 네 기금모음 패션쇼를 정말 기대하고 있단다.
정말요? 아저씨도요?
아니.
타. 가자.
이봐요, 당신도 다른 계획 없으면 와도 좋아요.
- 또 뵈요.
- 잘가라.
안으로 들어가자꾸나.
참, 집 안에서는 금연이다.
여기가 네가 머물 곳이고,
이 사람이 이 집의 여왕님이신 내 아내 크리스틴이다.
안녕 라이언. 우리집에 온걸 환영한다.
필요한게 있으면, 로지가 도와줄거다.
고맙습니다. 정말 감사합니다.
아침에 보도록 하자. 편히 지내도록 해라.
안녕.
안녕.
너도 할래?
오, 영웅이 되고 싶은거 같은데,
좀 건방지군.
X O X O. 이건 필살의 콤비네이션이지.
어! 어! 어…!
어떻게 된거야, 친구.
머릴 어디다 두고다니는거야.
미안. 내가 누굴 죽였나?
아, 이봐 "위대한 자동차 도둑" 한번 해 볼래?
정말 멋진 게임이야. 자동차 훔치는 게임인데 마음에 들...
재밌는데.. 재미없을려나.
모르겠다. 음…
너희들 벌써 만났구나.
세스, 이 좋은 날씨에 안에서 뭐하고 있는거니.
라이언에게 근처 안내 좀 해주지 그래니?
알았어요, 근처에 좋은곳 많으니까
안내 해줄데야 많겠죠, 아빠.
넌 뭐하고 싶은데?
넌 보통 뭐하고 노는데?
내겐 계획이 하나 있거든.
글쎄, 니가 어떻게 생각할런지는 모르겠지만
돌아오는 7월에 무역풍이 서풍으로 바뀌면
타히티까지 항해하고 싶어.
44일만에 갈수 있을꺼야.
어쩌면 42일만에도 가능해.
와. 그.. 그거 참 멋진 이야기네.
그래. 그저 파도를 타다가 뱃전에서 낚시도 하고
잡은걸 바로 그 자리에서 구워서 먹는거야.
정말 적막하고. 고독하지.
- 외롭지 않겠어?
- 뭐, 써머랑 같이 갈거야.
타히티에 이 배도 가지고 갈거야?
음.. 이 배랑 같이 말야.
배 이름을 그 애 한테서 따왔거든.
그 애, 무척 좋아했겠네.
아, 그 앤 몰라.
그 애랑 한번도 말해본적이 없거든.
안녕, 얘들아.
패션쇼엔 7시쯤에 갈까하는데 어떠냐.
예. 다녀오세요.
- 새 학년 새 학기잖니, 세스
- 그래봤자 애들은 같은 애들이에요, 아빠.
왜 그 사람들이 그렇게 패션쇼를 열고 싶어하는지 모르겠어요.
그 사람들에겐 매일매일이 패션쇼일텐데요.
좋아, 하지만 라이언은 가야돼.
마리사가 초대했단다.
마리사가 널 초대했어?
난 계속 마리사네 옆집에서 살아왔는데 말야.
그 애 아버지가 우리 엄마랑 결혼 할뻔도 했거든.
그 애는 자기 생일에도 날 초대한적 없었다구.
그건 사실이 아니란다. 결혼 할뻔하지 않았었어.
- 글쎄요.
- 써머도 가지 않을까?
재밌군. 그 앤 마리사의 제일 친한 친구지. 7시랬죠?
- 그래, 7시
- 예. 7시요.
안녕. 또 왔다.
- 아빤 집에 안 계세요.
- 그럼 언제 들어오시니?
전 몰라요.
음.
그럼, 아버지 오시거든 우리가 무척이나
대화하고 싶다고 다시 한번 전해주겠니?
내 명함을 하나 더 주마.
잘 지내라.
아, 고맙구나, 애야.
난 그냥 지금은 그 사람들이랑 이야기하고 싶지 않을 뿐이란다.
이 사람들 누구예요?
정장에, 관료적이고.. 정부사람이지 뭐.
- 제 말은, 무슨 일이 생긴건 아니죠?
- 그래, 이건 그냥 어.. 고객과의 문제일 뿐이야.
네가 걱정할만한 일은 아니란다. 알았지?
와, 근사한데. 잘 어울리는구나.
넥타이는 어딨니?
넥타이는 안 할거예요. 안하는게 더 좋아요.
난 25살이 되도록 넥타이 멜줄 몰랐단다.
이리 줘봐.
윗 단추 잠그거라.
좋아, 칼라를 올리고.
그리고, 얇은 쪽을 두꺼운 쪽보다 짧게 내려.
얼마나 짧게 내리느냐에 따라 모양이 달라지지.
가끔은 신기하기까지 하지.
그래, 세스랑 같이 놀았더구나.
어땠니? 재미있었니?
그 애는 알고보면 재미있는 아이란다.
멋진 애예요.
멋지다구?
좋아. 다 됐다.
돌아서서 거울봐라.
어때? 근사하지.
- 엄마, 내 손톱 괜찮은거 같아요?
- 오, 정말 마음에 이쁘구나, 케이들린.
스트레이트 했는데 머리 괜찮아 보이니?
에이브릴 라빈을 너무 따라한거 처럼 보일려나.
- 아니에요, 예뻐요. 엄마.
- 아, 마리사, 예쁘게... 얘두 참,
난 네가 머리 내릴 줄 알았는데.
- 그렇게 뒤로 올리면 좀 거칠어 보이잖니.
- 다 됐다. 가자!
굉장한 밤이 될꺼야.
마리사, 오늘 도나카렌 입을꺼니?
- 정말 봐줄만 하다고 생각했단다.
- 정말 아름답구나, 얘야.
버섯,부추빵 드시겠습니까?
아니면 게와 브리치즈는요?
어둠의 세계로 온걸 환영한다.
오! 당신이 보스톤에서 온 조카군요. 맞죠?
난 당신이 어떻게 살았는지 모르겠네요.
난 거기선 절대 살 수 없을거 같아요. 난 추위가 싫거든요.
당신 ... 시애틀이 좋던가요?
내 말은, 비만 내리고, 울적하지 않나요?
당신이 캐나다 출신이라고 들었는데요 맞나요?
예, 맞아요.
"세븐&세븐" 한잔 줄래요?
고마워요.
고맙구나.
난 너에 대한 남편의 생각이 맞았으면 좋겠다.
어이, 루크. 뭐해?
어이. 엿이나 먹어, 호모새꺄.
나도 방학 잘 보냈어.
물어봐줘서 고마워.
써머가 바로 저기 있어.
봐. 미안. 잠깐. 보지마. 보지마.
내말은, 봐도 되는데,
그런 눈으로 쳐다보지 말라고.
안녕, 아빠.
안녕, 얘들아.
쟨 누구니?
음, 조카인 수영장 관리인?
난 모르겠는데.
- 그럼, 내가 알아볼까나.
- 저 앤 써머 아니냐?
어, 음, 전 좀 앉을께요.
그건 그 애를 방해하는 거예요, 코헨씨.
안녕, 체스터. 여기 자리 임자있니?
없데.
체스터, 다음 항해수업 기대하고 있어?
너 정말 많이 발전했더라.
그래, 오랜만에 만나서 회포를 푸니 좋았다.
감사합니다. 감사합니다.
와주셔서 정말 감사드립니다.
매년 우린 '학대 당하는 여성들의 은신처'를
위한 기금마련 패션쇼를 개최해왔습니다.
이건 무척 훌륭한 행사입니다, 여러분.
그리고 우린 여러분들과 '패션아일랜드'
그리고 그들의 훌륭한 상점들의 후원이
없었으면 해내지 못했을 겁니다.
시작하겠습니다. 쇼를 즐겨주세요.
타히티 문자로 온몸을 휘감았군.
지금 뭐하는 건가요.
내 딸에게 "케빈 클라인"을 입힐건가요?
이 앤 "베라 왕"을 입을 줄 알았는데요.
이 애가 가슴이 더 컸으면 그랬겠죠.
사춘기란다, 얘야. 곧 커질꺼야.
자, 얘들아. 쇼타임이야.
마리사, 다음 너 차례야.
내가 뭘 훔쳐왔게?!
난 뭘 훔쳐왔게?!
- 좋았어! 여기.
- 고마워.
애가 너무 예쁘네요.
이봐, 자네 저 드레스 사는데
내 연봉보다 더 비싸게 준거 같군.
그게 우리 돈을 안심하고 그에게 맡기는 이유지.
- 난 부자로 죽는걸 기대하고 있다고, 지미.
- 분명히 절반은 이루어졌을꺼야.
괜찮아, 지미?
응. 그냥, 어.. 여긴 좀 답답해서.
나 바람 좀 쐬고 올께, 알았지?
마리사는 "프라다 메리 제인스"를
입고싶어 했는데,
내가 "실레토 마놀로"를 입으라고 말했죠.
이봐. 어디 가는 거야?
내 친구, 홀리가..
음, 그 애 부모님이 우리 모두 행사때문에
고생했다고 해변 별장을 써도 좋다고 했거든.
타고 갈게 필요하거나 하면..
난 써머라고 해.
돌아갈 준비됐니?
우리 홀리네서 하는 파티에 가야 할거 같은데.
- 어, 됐어. 난 괜찮아.
- 써머가 날 초대했어.
정말? 그 애가 널 초대했어?
우리를 초대했어. 사실은 널 초대했지만.
정말? 그 애가 그랬다구?
빨리 와!
절대 말이 안되는 거 같지만,
그래, 뭐 가도 괜찮겠지.
우린 저 애들이랑 갈께요. 고마워요.
가봐서 재미없으면 그냥 돌아가지 뭐.
어둠의 세계로 온걸 환영한다.
오, 코카인이라. 멋지군.
핸드백 새로 샀니?
- 물론이지.
- 정말 예쁘다.
너희 아빠는 안 사준다고 한적 있는거야?
얘들아. 내가 누굴 데려왔는지 봐.
정말 귀여운데.
나 저 애랑 화끈하게 한번 놀아볼거야.
화장실 갈래? 난 가고싶은데.
정말 아름답지 않니? 모래, 바다...
그래. 저기 한번 가볼까?
하지만.. 마리사는 어쩌고?
마리사? 걱정마.
안녕, 지미.
- 안녕.
- 안녕, 더스티.
더스티, 누가 왔는지 봐라.
당신 정말 괜찮아?
아, 괜찮아. 정말.
당신 알잖아, 당신은 항상..
아냐. 괜찮아. 난 그냥 좀 일이 힘들어서 그래.
아, 그.. 그 오늘 데려온 앤 누.. 누구야.
당신한테 보스톤에 사촌이 있었던가?
샌디 고객이야.
- 주말동안만 집에 데려온거야.
- 아하.
지미? 여보, 내 얼린 요거트 사왔어요?
아니. 깜빡했어.
알았어. 곧 사올께.
피스타치오 맛으로 사와요. 고마워요.
안녕, 크리스틴.
우리 인생이 이렇게 될줄 생각해 본적 있어?
- 마리사는 아직 안 왔어?
- 어, 그 앤 보통 매우 늦게 와.
- 세스는 절대 밖에 안 나가는데.
- 흠, 걱정마.
그 애들은 우리가 하지 않은 걸 할리없어.
위안이 되네.
아, 미안해.
욕실에서 세명이 하고 있을땐
노크를 했어야 하는데 말야.
첫번째 통이야! 모두들 벗었네!
안녕.
안녕.
이 곳에 대한 감상이 어때?
내가 자란 곳보다 더 문제가 많은거 같군.
얘! 네 차례야.
넌 조금도 모르고 있어.
내가 술통 고쳤어. 좋아, 좀더 줄래?
어라.. 이게 누구야.
이런. 나 취했나봐.
- 그런데 너 이름이 뭐니?
- 라이언.
라이언, 이리 좀 와봐.
음..
너 지금 뭐하고 있는거야?
이것봐요?
지금 뭐하고 있는거냐고.
난 내 배를 저 애 이름을 따서 붙였다구.
뭐? 우~. 넌 누구니?
니가 생각하는 그런거 아냐.
저 앤 좀 취했어. 알았어?
이리와, 라이언.
세스.. 이봐 세스!
건들지마!
너 왜 치노로 돌아가지 않는거야?
여기 니가 훔칠만한 근사한
차들이 저렇게 많아서 그래.
치노? 이런.
저리꺼져, 멍청아.
누가 널 불렀어?
니들 날 때릴려고? 그건 너무 뻔한데.
- 니들 정말 진부한걸 좋아하는 구나.
- 입닥쳐.
이봐!
그 애 내려놔! 그 앨 놔줘!
안녕 라이언. 무슨 일이냐?
내려놔.
이봐, 무슨일이야. 무슨 문제있어?
니가 말해보지 그래.
O.C. 에 온걸 환영한다, ㅁㅁ아.
이게 O.C. 에서 일이 처리되는 방식이지.
글쎄, 뭐.. 뭐라고 말해야 할지 모르겠는데..
그때 말했던거 전부 취소할께.
우리 무슨 격투클럽 같은데서 싸운거 같은데.
잘 모르겠다. 내가 무슨 생각하고 있는지 알어?
라이언, 네가 몇가지 기술만 좀 가르쳐주면 말야.
다음번엔 그 놈들을 완전히 때려눕힐 수 있을거 같아.
내 생각어때. 좀 가르쳐줘. 내 말 알아들었어?
그리고 이것저것 좀 가르쳐줘.
어떻게 생각해?
좋아.
그리고 처음 계획했던 방식으로
써머랑 이야기하진 못했지만.
이제 그 애 눈에는 띄었지.
니 생각엔 내가 타히티에 관해서
그 애에게 말했어야 한다고 생각하냐?
아니, 아직일러.
나도 그렇게 생각했어.
지금도 그렇게 생각하고 있고.
그냥 너두 생각인지 확인하고 싶었어.
굉장한 밤을 보냈어.
난 잊지 않을꺼야.
라이언, 난 잊지 않을꺼라고.
얘가 이럴 줄 몰랐는데.
정말, 얜 가끔 진짜 바보 같다니까.
얘 남자친구가 데려왔어야 되는거 아냐?
그 놈은 정말 쓸모없다니깐.
마리사, 열쇠 어디에 있니?
열쇠를 어떻게 찾지?
난 못 찾겠어.
얘 부모님 깨우면 안되는데.
마리사네 아빠 정말 화낼꺼야.
나도 알아.
안녕, 마리사. 전화해.
이봐.
열쇠 어딨어.
세상에.
너 얼굴 왜 그러니?
으음. 어제 좀 싸웠어요.
누구랑? 왜?
나도 잘 몰라요.기억 안 나요.
음.. 무척 취했었거든요.
- 지금도 좀 취해있는거 같구요.
- 집으로 들어가자.
빨리.
나중에 봐!
오, 당신 그 파도가 오는 걸 봤어야 하는데.
- 6피트라구. 그리고 더 높아져갔지.
- 세스가 간밤에 싸움을 했어요.
그 애가 싸움을?
당신이 그런 애를 집으로 들여놓으니 이런 일이 생기는 거잖아요.
범죄자랑 아들을 같이 어울리게 놔두다니.
글쎄, 적어도 누구하고 어울리긴 했잖아.
여보, 그 애 일을 방해하지 말아요.
그건 대체 무슨 뜻이에요?
그.. 난.. 난 모르겠어.
난 그냥 세스가 새 차를 사는 것밖에는
관심없는 이 근처 애들보단
라이언하고 노는게 더 나을거라고 생각했어.
여기 밖 세상은 무척 넓다구.
당신이 여기서 사는걸 싫어하는 줄 몰랐는데요.
밖의 세상은 여러가지가 존재한다구.
당신 우리가 22살때 기억하고 있어?
그때 뭐라고 했어.
당신은 당신 부모님을 좋아한적 없다고 했잖아.
당신 절대 부모님처럼 살지 않겠다고 했잖아.
난 22살이었어요. 파출리에 쩔어있었구요
난 우편배달차 뒷칸에서 살았다구요.
그래도 당신은 재미있었잖아.
그리고 반항적이었지.
그리고, 그리고 나와 결혼했잖아.
난 그렇겐 못해요. 미안해요
난 그 아이를 이 집에서 내보내고 싶다구요.
그 애가 갈데가 어디있겠어?
그 앤 가족이 있어요, 샌디.
그 사람들이 좋은 사람들 인지를
당신이 결정할 의무는 없어요.
라이언, 난 나쁜 경찰처럼 행동하는게 아니란다.
개인적인 감정이 있는건 아니지만..
그거 베이컨이니?
우리집에선 제가 아침을 준비하거든요.
엄만 요리를 잘 못해서요. 그래서..
- 미안하다. 넌 정말 좋은 아이란다.
- 괜찮아요.
이해해요.
아줌만 훌륭한 가족을 가지고 있어요.
안녕, 친구.
- 안녕.
- 안녕. 나 이만 간다.
가는거야?
그래.. 흠.. 근데 무슨 일이야?
돌아가야해.
돌아가서 해결해야 할게 몇가지 있어.
알았어. 잘됐군. 아니 그런건 아니고,
그러니까, 내 맘 알지?
이리와.
내가 치노로 갈게.
너네 집 방문하면 네가 사는 세계도 보여줘.
아님 너네 동네 깡패라도..
※Hood : (속어 = HOODLUM) 불량자, 깡패, 폭력배
좋아.
잠깐. 잠깐만 기다려봐.
흠.
아마 네가 가볼만한 곳 일꺼야.
정말 좋은 곳이지.
아!
고마워요. 여러가지로.
모든게 확실하게 잘 되도록 하마, 라이언.
괜찮아요. 여기서부턴 혼자갈께요.
이리와. 가자.
The O.C
Pilot
Airdate: 5 August 2003
Written by: Josh Schwartz
Directed by: Doug Liman
Transcript by: Kaija West for TBD
Currently available at http://twiztv.com
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DISCLAIMER:
==========================
"The O.C." and other related entities are owned, (TM) and ゥ by Wonderland Sound And Vision, Hyptonic and Warner Bros. Television in association with Fox Broadcasting. All Rights Reserved. This transcript is posted here without their permission, approval, authorization or endorsement. Any reproduction, duplication, distribution or display of this material in any form or by any means is expressly prohibited. It is absolutely forbidden to use it for commercial gain.
==========================
SCENE 1
At night on a dark street two young men (Trey and Ryan) approach a car. There's graffiti on the walls and this doesn't look like a very nice neighbourhood. Trey raises a crow bar to smash the window.
Trey: I'm your big brother. If I don't teach you this who will?
Trey smashes the car window. Ryan jumps back. Trey opens the door and gets in.
Ryan: (looks over his shoulder uncertainly) I don't know, Trey.
Trey: (shouting) Quit being a little bitch. Get in!
Ryan slams the driver's door shut and goes around the back of the car to the passengers side.
Trey: (shouting) Yeah, come on!
Ryan looks back down the street as a police cruiser drives by. He pauses, not getting in.
Trey: Come on. Let's go Ryan!
The police cruiser reverses and turns to drive toward them, siren and lights turning on. Ryan quickly jumps in the car as Trey starts driving. Ryan looks worriedly back at the police car chasing them.
Trey: (amused) You should see your face, man. (laughs) Whoo! Yeah!
Another police car blocks their path but they Trey turns and avoids it. The chase continues. A police car rams the side of the car. The chase continues.
Ryan: (quickly, seeing they're about to collide with something) No, no, no, no, no!
They skid and slam into something. The police cars pull up.
Police: Hands up! Get them up! Hands on the dash where I can see them.
Trey and Ryan (who appear unharmed) put their hands up.
SCENE 2
In a jail Ryan is led by a guard through a hallway into a room. Now that we can get a good look at Ryan we see that he's young (16), blonde, well built and looks like a young Russell Crow. Seated at a table is Sandy Cohen, with papers and files spread all over. He has dark hair, bushy eyebrows and is wearing a suit. He looks to be in his late thirties to forties. He always seems to have an air of controlled enthusiasm and sincerity about him.
Looking up Sandy sees Ryan. The guard takes the handcuffs off Ryan.
Sandy: (stands up, sounding friendly but professional) Ryan. I'm Sandy Cohen. The court's appointed me your public defender.
Ryan looks at him, he doesn't seem very impressed. He sits down.
Sandy: (as he takes his seat again) You could do worse. You okay? They treating you alright?
Ryan: (avoiding eye contact) Where's my brother?
Sandy: Ah ... (looking at files) Trey is over 18, Trey stole a car, Trey had a gun in his pants and an ounce of pot in his jacket and a couple of priors. I'm guessing that right now Trey is looking at 3 to 5 years. But Trey's not my concern. This is your first time in lockup. I would assume you don't plan on coming back. Your grades are ... not great, suspended twice for fighting, truancy three times ... (looks up in surprise at Ryan who is still avoiding looking at him) Your test scores ... 98th percentile on your SAT ones. Ryan, 98th percentile, if you start going to class ... are you thinking about going to college?
Ryan snorts, still not looking at Sandy.
Sandy: Have you given any thought at all to your future? Dude, I'm on your side. Come on, help me out here-
Ryan: (interrupting but still not looking at Sandy) Modern medicine is advancing to the point where the average human life span will be one hundred. But I read this article that said social security's supposed to run out by the year two-thousand and twenty-five, which means people are going to have to stay at their jobs until they're ... (calculates quickly) eighty. So I don't want to commit to anything too soon.
Sandy: (laughs lightly) Look, I can plea this down to a misdemeanour. (Ryan looks at him) Petty fine, probation. But know this: stealing a car 祖ause your big brother told you to - its stupid, and its weak. Now those are two thing you can't afford to be anymore.
Ryan: Two more things.
Sandy: Do you want to change that? (Ryan's avoiding eye contact again) Then you have to get over the fact that life dealt you a bad hand. I get it. We're cut from the same deck, Ryan. I grew up no money, bad part of the Bronx, my father was gone, my mother worked all the time. I was pissed off, I was stupid.
Ryan: And look at you now.
Ryan gives Sandy a quick half grin.
Sandy: Smart kid like you. You got to have a plan. Some kind of a dream.
Ryan: (looking Sandy in the eyes) Yeah, right. Let me tell you something, okay? Where I'm from having a dream doesn't make you smart. Knowing it won't come true, that does.
SCENE 3
Day, Ryan and Sandy stand outside the jail.
Sandy: My office will contact you to remind you the date for your hearing.
Ryan: I'll remember.
An old car squeals around the corner, drives up on the sidewalk a bit then, comes to a stop in front of them.
A woman gets out. She's dressed pretty messy (shirt hanging off her shoulder, ill fitting sweater half hanging over her) and has frizzy blond hair. This is Mrs. Atwood, Ryan's Mom.
Mrs. Atwood: (angry, yelling) Unbelievable! What kinda family I got, huh? What the HELL did I do to deserve this family? You want to tell me that?
Sandy: Mrs. Atwood? I'm Sandy Cohen. I'm Ryan's attorney.
Mrs. Atwood: You should have left him there. Just like his Dad's doing. Just like his brother's gonna. (Ryan and Sandy look at each other) Let's go Ryan. (yelling) Now, Ryan!
Mrs. Atwood gets back in the car.
Sandy: I'm going to give you my card. My home number, you know, if you need something, if things get to be too much, call me.
Ryan takes the card.
Mrs. Atwood: (yelling) Let's go!
Ryan: All right!
SCENE 4
At the Atwood residence Mrs. Atwood pours herself a drink as Ryan stands across the room watching her. Her boyfriend A.J. sits watching t.v. The house is sort of open concept so they're all in the same room but it's a kitchen and a living room, not a very big place. The furniture looks pretty mismatched and old.
Mrs. Atwood: (still upset) I can't do this anymore, Ryan. I can't.
Ryan: I'm sorry, Mom.
Mrs. Atwood: I want you out of my house. (Ryan looks at her) I want you out!
Ryan: (upset) But Mom, where am I going to go?
A.J.: (not even looking away from the TV.) You heard your mother, man. Get your stuff and get out.
Ryan: Hey, this isn't your house, "man."
A.J. (getting up) Oh, you're a tough guy now?
Mrs. Atwood: A.J. don't. Ryan just get out.
Ryan: Why don't you worry about your own kids, A.J.? Instead of free loading off my Mom?
A.J. punches Ryan in the face twice.
Mrs. Atwood: Hey!
A.J. throws Ryan into a table. Mrs. Atwood turns away and lights a cigarette.
SCENE 5
Ryan zips up his backpack and leaves the house. The title "The O.C." comes on the screen but there's no opening credit sequence. Ryan rides away on his bike. It's not the best neighbourhood. The theme song
"California" starts playing. It plays throughout out the next sequence. Ryan uses a pay phone on a busy street.
Ryan: (on phone) Hey, can I crash with you tonight ... (disappointed sounding) all right.
He makes a number of calls but he appears to be getting frustrated. He slams the receiver down then hits the side of the phone several times. He pauses then searches his pockets and pulls out a rumpled business card and makes another call.
SCENE 6
Ryan sits on a low stone wall. We can see lots of graffiti on nearby buildings. An expensive black car pulls up in front of him. It's Sandy.
Sandy: Told you. You could do worse.
With Ryan's bike in the trunk of the car they drive off. First they go through a very dull and lower class looking area. Later they drive along the coast. Ryan looks out the window and sees teens playing on the beach, walking with surfboards as the sun sets.
Ryan: This is a nice car. I didn't know your kind of lawyer made money.
Sandy: No, we don't. My wife does.
SCENE 7
They drive through a guard station (or whatever you call the security checkpoint at the front of a gated community. They pull up the driveway to an enormous and very beautiful house. By this time it's dark out. The song ends.
They go to get out but Sandy pauses.
Sandy: Um, you know, why don't you wait here for a minute? I'll be back.
Sandy pulls the keys out automatically then sort of looks like he's trying to decide whether or not to take them.
Ryan: (sort of rolls his eyes) It's no fun if the key's in the car.
Sandy puts the key back in the ignition and gets out. Ryan waits in the car.
SCENE 8
In the kitchen of the Cohen's home Sandy and his wife talk. Kirsten Cohen is an attractive, young looking woman. She doesn't look especially "mom but she's likeable. She looks a little like Gwyneth Paltrow and appears to be a pretty even-tempered and sensible woman.
Kirsten: You brought him home? This is not a stray puppy, Sandy.
Sandy: I know that, Kirsten.
Kirsten: It was only a matter of time before you started bringing home felons.
Sandy: Ryan's in a felon.
Kirsten: Did you not meet him in jail?
Sandy: Yes ... technically. But it wasn't for a felony, I mean it was, but it won't be when I'm done.
Kirsten: You're endangering our home. Did you even think of Seth?
Sandy: It's only for the weekend, just till child services opens on Monday.
Kirsten: What if this is all a scam? What if he's just using you to case the house?
Sandy: He's not a criminal mastermind. He's a kid who has no one and nowhere to go. When- when did you become so cynical?
Kirsten: When did you become so self-righteous?
Sandy: Always been self-righteous. You used to find it charming.
Kirsten: He sleeps in the pool house.
Kirsten walks away.
Sandy: Where're you going?
Kirsten: To put my jewellery in the vault. (pause) Where do you think I'm going? Boy's going to need fresh sheets, towels and a toothbrush.
SCENE 9
Its now totally dark out and Ryan makes his way down to the end of the Cohen's driveway. He takes out a cigarette. He looks over and sees a young woman at the end of the driveway of the house next door, about fifteen to twenty feet away. She's sixteen, thin and beautiful. This is Marissa. At the click of his lighter she notices him.
Marissa: Who are you?
Ryan: Whoever you want me to be.
Marissa: (with an amused smirk) Okay.
Ryan lights his cigarette. Marissa looks back at the house behind her.
Marissa: Hey, can I bum a cigarette?
Ryan walks over to her gives her a cigarette then offers his lit one to her rather than his lighter. She leans close and puffs her cigarette against his. She smiles at him and he backs away to where he was standing before.
Marissa: So, what are you doing here, seriously?
Ryan: Seriously? (takes a drag from his cigarette and starts walking back to her) I stole a car. Crashed it. Actually my brother did. Since he had a gun and drugs on him he's in jail. I got out and my Mom threw me out. She was pissed off and drunk. So Mr. Cohen took me in.
Marissa: You're their cousin from Boston, right?
Ryan: Right.
Sandy walks up behind Ryan. Marissa drops her cigarette.
Sandy: Hi, Marissa.
Marissa: Hey, Mr. Cohen. I was just meeting your nephew.
Sandy: (looks confused for a moment) Oh. My favourite nephew, Ryan (claps Ryan on the back) All the way from Seattle.
Marissa: Seattle?
Ryan: Dad lives there. Mom lives in Boston.
Marissa: Hmm.
Sandy: So we're all really excited about your fashion show fund-raiser tomorrow night.
Marissa: Really? You are.
Sandy: (running a hand through his hair, taking a deep breath) No.
Marissa laughs obviously not surprised or upset by his honesty.
A big pick-up truck pulls up. The driver (a young man) calls out the window.
Driver: Come on, let's go.
Marissa: (to Ryan) Hey, you should come by, check it out. If you don't have other plans. See you.
Sandy: Good night.
Marissa climbs up into the truck and kisses the driver.
Driver: (to Marissa) Who's that kid?
They drive off.
Sandy: Let's go inside. (they start walking up the drive) Uh, there's no smoking in this house.
Ryan drops his cigarette and continues up the driveway. Sandy quickly runs back and stamps it out.
SCENE 10
Ryan and Sandy go into the pool house where Kirsten and Rosie the maid are. The pool house is looks more like a living room than a storage area. It's furnished and has light wood floors and the walls are all floor length windows. It's big and very nice.
Sandy: So this is where you're going to be staying. And this is the Queen of the manor herself, my wife
Kirsten.
Kirsten: (sounding polite but formal, like forced friendliness) Hello, Ryan, welcome to our home. If you need anything Rosie here can help you.
Ryan: Thank you, thanks very much.
Sandy: We'll see you in the morning. Make yourself comfortable.
They leave Ryan alone in the pool house.
SCENE 11
In the morning Ryan comes out of the pool house, blinking in the bright sunlight. He gets a better look around. There's a big pool, and a gorgeous view of green hillside, with the city beyond and the ocean the other way. Ryan enters the main house and finds a teenage boy sitting cross legged on the floor in front of the TV playing a video game. This is Seth, the Cohen's son. He looks about Ryan's age but he doesn't share his strong build. He's got black curly hair, an alert ex-pression and his mannerisms that are kind of jerky. He's a little bit of geeky by in an endearing rather than repulsive way and tends to talk rather quickly.
Seth: Hey.
Ryan: Hey.
Seth: Do you want to play?
Ryan shrugs.
SCENE 12
Some time later both guys are sitting on the floor. They look like they've made themselves comfortable and are eating breakfast at the same time as playing video games.
Seth: (quickly, excited) Oh, looks like someone's trying to be a hero but you got a little cocky. X O, X O it's an unbeatable combination. Oh, oh, ... (nearly shouting, excited) OH! What happened to your head, dude? Where did it go? I'm sorry did someone die? Oh, hey, do you want to play Grand Theft Auto? It's pretty cool, you can like, steal cars ... (realizes what he's said) Not that that's cool. Or uncool, I don't know, um-
Sandy comes in carrying groceries.
Sandy: I see you two have met. Seth, what are you doing inside on this beautiful day? Why don't you show Ryan around?
Seth: (sarcastically) Okay, cause it's so great around here. There's so much to do, Dad.
(Seth frequently uses sarcasm like this but he keeps him tone even when he says these things, kind of deadpan.)
Seth: (to Ryan) I don't know, unless, what do you want to do?
Ryan: What do you guys do around here?
SCENE 13
Seth and Ryan are on a catamaran on the water. It has a rainbow coloured sail and the name "Summer Breeze" is on the side. Seth pulls ropes to adjust the sails with familiarity. Ryan looks somewhat confused. Sometime later they have the boat stopped, floating in the water, and are sitting, talking.
Seth: I have, um, this plan. Well, I don't-I don't know you'd think but um, next July the trade winds shift west, I want to sail to Tahiti. I can do it in forty-four days, maybe even forty-two.
Ryan: Wow. That ... that sounds really cool, man.
Seth: Yeah. Just hit the high seas and catch fish right off the side of the boat. Grill them right there. (pause) Just total quiet. Solitude.
Ryan: You won't get lonely?
Seth: Well, I'll have Summer with me.
Ryan: (motioning to the boat they are on) You're going to take this to Tahiti?
Seth: (chuckles) Um, no. It's the girl the boat's named after.
Ryan: She must be pretty stoked.
Seth: Yeah, she has no idea. I've never talked to her before.
Ryan shakes his head a bit.
SCENE 14
On the beach the boat is now pulled up on the sand and Seth rolls up the sails. Sandy walks down the beach to them.
Sandy: Hey, fellas. I thought we'd head over to the fashion show at about 7.
Seth: Yeah, have fun.
Sandy: Come on. It's a whole new school year, Seth.
Seth: It's also the same kids, Dad. Why do they even need a fashion show? Everyday's a fashion show for these people.
Sandy: Yeah, well Ryan has to go. Marissa invited him.
Seth: (to Ryan) Marissa invited you? I've lived next door to Marissa for like, forever, her Dad almost got married to my Mom even, and, like, she's never even invited me to a birthday party.
Sandy: That is not true. They did not almost get married.
Seth: (dismissively) Eh.
Ryan: Hey, maybe Summer would be there.
Seth: That's interesting. She IS Marissa's best friend. (pause) Seven?
Sandy: Seven.
Seth: Seven. (starts walking away)
SCENE 15
Marissa stands out on her balcony. She sees Sandy, Seth and Ryan walking up the beach. She hears the doorbell and goes to the door. When she opens it there's a couple guys in suits there.
Man: Hello, again.
Marissa: My Dad's not here.
Man: And when can we expect him?
Marissa: I don't know.
Man: (unconvinced) Mmm Hmm. Well, then, when you see your father PLEASE remind him again how much we'd like to talk. Let me leave you another one of my cards. (hands her a business card, unenthusiastically) Have a good day.
Marissa closes the door. She looks at the card and it says "Steve Pearlman" and its from the "U.S. Securities and Exchange Commission." She goes to her Dad's study, near the front door. Inside is her father, Jimmy Cooper. He's a pretty average looking guy but he has a nervous air about him.
Jimmy: Hey. Thanks, Kiddo. I just didn't have time to deal with those guys right now.
Marissa: Who are they?
Jimmy: Suits. Bureaucrats. "The Man."
Marissa: But, I mean, everything's okay, right?
Jimmy: Yeah, it's just-it's just a thing with uh, a client. Nothing for you to worry about, okay?
Marissa leaves.
SCENE 16
In the pool house Ryan stands in front of a mirror and tries unsuccessfully to tie his tie. Finally he gives up and pulls on his suit jacket. There's a knock at the door then Sandy comes in.
Sandy: Wow. Look at that. It fits you beautifully. Where's your tie?
Ryan: I'm not going to wear one. Open collar - it's a good look.
Sandy: I didn't know how to tie a tie till I was 25. Come on, give me your tie. (Ryan gives the tie to Sandy) Button your top button. All right collar up. (Sandy ties Ryan's tie) Now, the skinny side has got to be shorter than the fat side. How much shorter changes tie to tie. Sometimes it's just a mystery. All right. So, you got to hang out with Seth. How was that? Was that...? Was that uh, all right? He's an interesting kid if you get to know him.
Ryan: He's cool.
Sandy: (pause) Cool. (pause) Alright, there you go. (finished with tie) Turn around, look at you. (Ryan turns and looks in the mirror, Sandy stands behind him) Huh? Beats a jumpsuit.
Ryan gives a little half smirk. Sandy leaves, Ryan keeps looking at himself in the mirror.
SCENE 17
At the Cooper home Julie and Kaitlin primp in front of a big mirror. Julie Cooper (Jimmy's wife) is rather flashy, with lots of make up and looks like she just might have had plastic surgery at some point. She's pretty much what you'd expect a stereotypical, rich wife to look like. Kaitlin looks about 8-10 years old and is all dressed up, hair done.
Kaitlin: Oh, Mom, do you like my nails?
Julie: Oh, I love them Kaitlin. Do you like my hair this straight or is it look Avril Lavigne?
Marissa comes up behind them.
Marissa: No, it looks good Mom.
Julie: Oh Marissa you look ... honey, I thought you were going to wear your hair down. Pulled back like that it's a little harsh on your angles.
Marissa looks disappointed by Julie's reaction. Jimmy comes into the room.
Jimmy: Okay, lets go.
Julie: It's going to be so amazing tonight. Are you going to wear the Donna Karen, Mariss? I thought it was very forgiving.
Jimmy: (to Marissa) You look beautiful, kiddo.
SCENE 18
At the fashion show well-dressed people mingle outside. Ryan, Seth, Sandy and Kirsten arrive. A waiter offers hors d'oeuvres to Ryan.
Waiter: Mushroom leek crescent? Crab and Brie phyllo?
Ryan just looks but doesn't touch the food on the tray. Seth leans in close.
Seth: Welcome to the dark side.
As Ryan walks a woman stops him.
WoMan: Oh, so, you must be the cousin from Boston, hmm? I don't know how you do it. I could just never live there. I HATE the cold.
Ryan just grins.
Later another woman talks to him and kind of pets his arm as she talks.
Woman: Do you ... like Seattle? I mean all that rain, isn't it depressing?
Later yet another woman talks to Ryan.
Woman: Did I hear you were from Canada?
Ryan: Yes, you did.
Woman: Mmm.
SCENE 19
Still outside at the fashion show party the sun has now gone down. Ryan make his way to the bar.
Ryan: (to the bar tender) Hi. Can I uh, can I get a seven and seven?
Ryan looks sort of surprised as the bar tender goes to get his drink. When he gets the drink Ryan takes a sip and just as he lowers the glass Kirsten has come over. She gives the drink a look. Ryan hands it over.
Kirsten: Thank you. (pause) I want my husband to be right about you.
SCENE 20
Still at the fashion show party a young couple walks past a young guy standing near the bar. The guy standing there is the same one that picked Marissa up earlier in the truck. His name is Luke and he's a jock type.
Young Guy: Hey, what's up?
Luke: Lock it up, Norland.
Young Guy: Lock it up, Luke.
After they pass Seth, standing nearby, waves to Luke.
Seth: Hey, Luke. What's up?
Luke: (pauses, then very friendly sounding) Hey! Yeah. (walks right up to Seth, suddenly very unfriendly) Suck it, queer!
Luke walks away but bumps into Ryan who holds his ground and stares at Luke. Luke walks away.
Seth: (in conversational tone) My vacation was great, too. Thank you for asking about it.
Seth notices some girls, including Marissa, standing some distance away. Ryan has his back to them.
Seth: Summer's right over there. (quickly) Look. I'm sorry, don't look. Don't look. But I mean you can look, but don't look like you're looking.
Sandy walks up to Seth and Ryan. Ryan looks over at the girls.
Seth: Hey, Dad.
Sandy: Hey, guys.
Over across the way the girls look back. Summer is a young, attractive woman in her mid to late teens.
Summer: Who is that?
Marissa: The cousin, the pool boy? (laughs) I don't know.
Summer: Well, I'm going to find out.
Back on the boy's side Sandy points rather obviously.
Sandy: Is that Summer?
Seth: (looking/sounding embarrassed or nervous) You know, I'm, going to go, uh, sit.
Seth leaves.
Ryan: Way to salt his game, Mr. Cohen.
Ryan follows after Seth.
SCENE 21
Seth walks up to a table.
Seth: Hello, Chester. Are these seats taken?
We see it's the kids' table. All the kids look at least a good five or more years younger than Seth and Ryan. The kids don't answer Seth.
Seth: (taking a seat) Okay.
Ryan looks around then takes a seat. He looks at one of the kids at the table and the kid looks back at him.
Seth: So, Chester, are you looking forward to your next sailing lesson? You're making some really good strides. (the kid nods his head) Okay, I'm glad we had this little chance to catch up.
The kid still says nothing and Seth kind of gives him a weird look.
On stage Marissa comes out. People clap.
Marissa: (into microphone) Thank you, thank you. Thank you all so much for coming. Every year we put on a fashion show to raise money for the battered woman's shelter. It's such a good cause, you guys and we couldn't do any of it without your support and the support of Fashion Island and all their great stores. All right, enjoy the show!
Everyone applauds as the first model comes out. It's Summer.
Seth: She has Tahiti written all over her.
SCENE 22
The dressing room is big and full of people. Everyone's running around or getting dressed.
Random person: Has anyone seen my Betsey Johnson dress?
A woman in charge looks at one girl.
Woman: Oh, no. Much too much makeup.
An angry Mother comes up to her.
Girl: What are you doing putting my daughter in Calvin Klein? She was supposed to wear Vera Wang.
Woman: And she would if she had the chest to hold it up. It's called puberty, honey. It'll happen. (to models) Okay girls. Chop, chop!
SCENE 23
In a bathroom Marissa puts on lip gloss in front of a mirror. A coordinator girl pokes her head in.
Girl: Marissa, you're next.
When the coordinator girl leaves Marissa wipes under her eyes tiredly.
Summer comes in with two glasses in her hands (champagne or wine). She's either a bit drunk or really excited. Marissa smiles and suddenly seems just as excited.
Summer: (holding the two glasses) Look what I stole.
Marissa: (reaching in bag) Look what I stole.
Marissa pulls out a big bottle of vodka.
Summer: All right! Here. (gives her the glass)
Marissa: Thanks.
They clink glasses and drink.
SCENE 24
Marissa walks down the runway. Luke claps for her but she looks only at Ryan who looks back at her. Luke notices that and turns to someone sitting beside and says something to them looking angry.
SCENE 25
At a table the Cohens, the Coopers and some other people sit watching the show.
Kirsten: She's so beautiful, you guys.
Sandy: (to Jimmy) Coop, I think you spent more on that dress than I make in a year.
Man: That's why we trust him with our money. I expect to die a very rich man, Jimmy.
Sandy: Well, you're bound to be half right.
Jimmy looks upset or like he's going to throw up. Kirsten notices.
Kirsten: You okay, Jimmy?
Jimmy: Oh, yeah, it's just, uh, it's a little bit stuffy in here. (to Julie) Honey, I'm uh, going to get some fresh air, okay?
She ignores him. Jimmy leaves the table.
Julie: Marissa wanted to wear these Prada Mary Jane's but I told her she had to wear the stiletto Manolos.
Kirsten looks concerned, meets Sandy's eye.
SCENE 26
Ryan is in the bathroom washing up when Jimmy enters. He gives Ryan a distracted nod before ducking into a stall. Jimmy's freaking out, hands to his head, rips the toilet paper fixture off, making groaning noises. Finally he sits down on the toilet lid and starts sobbing. Ryan hears this as he fixes his tie in the mirror.
SCENE 27
As people leave the show Ryan walks down some steps and Summer comes over, grabs his arm.
Summer: Hey. Where you going? My friend Holly, no, well her parents, are letting us use their beach house, as a gift. You know, cause of all our hard work we did for charity.
Ryan half grins at her.
Summer: (flirty) If you need a ride... or... anything, I'm Summer.
Summer goes and joins her pack of excited, teenage girls and they head for a jeep. Ryan watches then heads over to Seth who is talking with an older gentleman.
Seth: Hey, ready to go?
Ryan: We should, uh, go to that party, at that girl Holly's place.
Seth: Uh, yeah, no, it's all right.
Ryan: Summer invited me.
Seth: Really? She did? (suddenly his face falls a bit)
Ryan: (quickly) Us, uh, she asked for you actually.
Seth: (not convinced) Really? She did?
They look over and the girls, standing out the top of the packed, topless jeep whoop.
Summer: (shouting) Come on!
Seth: That makes absolutely no sense but yes, we should go. (Turning to the gentleman he was talking to earlier) Um, we're going to go with them. Thanks, Gus.
Ryan and Seth get into the jeep with the girls. Ryan sees Marissa getting into Luke's truck.
Seth: If it sucks we can always bail.
SCENE 28
The jeep pulls up to the beach house and it's a party inside and out. Ryan and Seth walk inside. Rap music plays. There's a table full of bongs and someone snorts drugs off the table. A guy dancing puts his hand under a girl's shirt. A girl dancing takes off her dress. Ryan and Seth look around.
Ryan: Welcome to the dark side.
Ryan starts walking through and Seth follows looking nervous. Seth walks by the drug table.
Seth: (quietly) Oh, hey cocaine. That's awesome.
SCENE 29
At the drink table a bunch of girls stand fixing drinks and talking. Marissa pours vodka onto her glass.
Summer: (huffs) Is that a new purse?
Marissa: Yeah.
Girl: So cute.
Summer: Does your Dad ever say no? (nodding toward Ryan) Look who I brought.
Girl: He's cute.
Marissa pours more vodka into her glass.
Summer: I'm going to play him hot AND cold. You want to pee? I got to pee.
Summer and another girl go. Marissa walks away from the table. Luke watches her go then turns to a pig-tailed girl beside him.
Girl: Isn't it like, SO beautiful? The sand and the water...
Luke: Yeah. Hey, you wanna go check it out?
Girl: But, what about Marissa?
Luke: Hmm? Oh, no worries.
They walk out the door to the beach. Luke looks back over his shoulder a couple times then puts his hand on the girl's back and pulls her close. Ryan's at the keg pouring a drink. He sees them leave together.
SCENE 30
Outside the Cohen's home Kirsten throws out some trash. She sees Jimmy walking his dog and goes over to him.
Kirsten: Hey, Jimmy.
Jimmy: Hey.
Kirsten: (to the dog) Hey, Dusty.
Jimmy: Dusty, look who's here.
Kirsten: Are you really okay?
Jimmy: Oh, yeah, yeah. Yeah. (runs a nervous hand through his hair)
Kirsten: Cause you know you can always...
Jimmy: No, you know, I've just been working really hard. So who was that, that kid that you brought tonight. You have a cousin from Boston?
Kirsten: Uh... one of Sandy's clients. He... brought him home for the weekend.
Jimmy: Uh-huh.
Julie: (shouting from their doorway) Jimmy? Honey, did you get my fro yo?
Jimmy: (sighs then shouts back) No, I forgot.
Julie shrugs at him in a "well" kind of way.
Jimmy: (shouting) Uh, I'll, I'll go back.
Julie: Pistachio. Thanks, sweety. Hi, Kirsten.
Kirsten waves, Julie goes back inside and Kirsten and Jimmy laugh lightly.
Jimmy: Fro yo. You ever think this would be our lives?
Kirsten: Is Marissa back yet?
Jimmy: Oh, well, she usually stays out pretty late.
Kirsten: Well Seth never goes out.
Jimmy: Don't worry. I'm sure they're not doing anything we didn't do.
They laugh lightly.
Kirsten: (maybe sarcastic) Well, that's comforting.
SCENE 31
Back at the beach house party Seth opens a door and there's a threesome bubble bath going on in the room. He quickly turns away.
Seth: Wow. I'm sorry. I should really learn to knock in case there's a threesome going on in the bathroom.
He closes the door.
SCENE 32
At the drug table the guys look pretty out of it. A girl dressed in a bathing suit dances nearby.
Guy: (pointing) That's the keg! Everybody get naked!
Seth's standing closest to the guy and he sort of looks around.
SCENE 33
Marissa walks up to Ryan (who, incidentally, other than Seth, is the only one still wearing a suit).
Ryan: Hey.
Marissa: (takes the drink from his hand and drinks it) So, what do you think of Newport?
Ryan: I think I can get in less trouble where I'm from.
They look at each other.
Girls: (shouts from the card table) Hey, Coop! It's your turn to deal.
Marissa: (to Ryan) You have no idea.
She smiles and walks away.
SCENE 34
Over at the keg the guy who shouted about getting naked is now passed out.
Seth: I fixed the keg. (offers the guy a drink which, of course, he doesn't take) All right, more for me then.
Nearby a pack of nearly identical looking blonds all talk on their cell phones. Ryan stands nearby. Summer comes through the door, obviously drunk.
Summer: Look (pause) who I found. (goes over to Ryan and spills her drink on him) Ooops! I'm wasted.
Ryan brushes off the suit and she "helps" basically rubbing her hands on his chest. She wraps her arms around his neck.
Summer: So what's your name anyway?
Ryan: Ryan.
Ryan tries to push her off of him. Seth comes outside.
Seth: You got to come...
Seth stops talking when he sees them.
Seth: (upset) What are you doing?
Ryan: Hey, um... (moves away from Summer)
Summer: (sounding offended/insulted) Excuse me!
Seth: (upset) What are you doing? I named my boat after her.
Summer: (laughs) What? Eww, who ARE you?
Ryan: (quietly) It's not what you think. She's just a little but drunk.
Summer comes up behind Ryan and wraps her arms around his neck.
Summer: Come on, Ryan.
Ryan pulls her off. Seth walks off back into the house. Ryan chases after him.
Ryan: Seth, Seth, Seth.
Seth grabs Ryan and shoves him against something.
Ryan: (very upset) You know what? Why don't you just go back to Chino? I'm sure there's a really nice car in the parking lot you could steal.
Marissa and everyone else sees/hears this. Seth takes off down the beach.
Summer: (laughs) Chino? Eww...
Ryan walks away but nearly bumps into Marissa who just looks away. Ryan walks a little further into the house and notices people looking at him and talking about him.
SCENE 35
Seth walks down the beach to the fire and tosses something in. He nods at the guys there. Several of the guys around it start shoving him around.
Guy: Go home, geek.
Other Guy: (shoving Seth) Who invited you?
Ryan, still near the house, sees Seth getting shoved.
Seth: You guys really wouldn't hurt me, because, you know, that'd be so cliched. (they lift him up) Oh, I guess you're fans of the clich・
Guy: Shut up.
Ryan: (running over) Hey, hey! Put him down! Put him down.
Seth: (upside down, still held by the guys) Hey, Ryan. (gasps) What's up?
Ryan: Put him down.
Luke: Hey, what's up, dude? You got a problem?
Luke's pulling on his shirt and the girl he left the party with earlier is there too and her hair/clothing looks a little "rumpled".
Ryan: You tell me.
The guys drop Seth to the sand. Ryan punches Luke in the face. Luke tackles Ryan and starts hitting him. A couple guys pile on. Seth pulls one off then pauses like he doesn't know what to do and gets punched in the face. Luke gets up and kicks Ryan who's laying on the sand.
Luke: (to Ryan, walking away) Welcome to the O.C., bitch! This is how it's done in Orange County.
Ryan lies on the sand as the guys walk away.
SCENE 36
Seth and Ryan enter the pool house looking beat up and tired. Ryan has an obvious bruise on his face. Seth plunks down on some cushions. Ryan slowly sits on the end of the bed and pulls off his tie, then suit jacket and shirt.
Seth: (a little drunk/goofy sounding) Well, I ... I don't know what to say ... except that you totally had my back out there. We're, like, in a fight club or something. I don't know. You know what I think? Ryan, I think that if you were to teach me some moves. I think that we could totally take 粗m next time. That's what I think. A little bit of that. (kicks foot while sitting down) You know what I mean? A little bit of that, that. (kicks feet from seated position) What do you think about that? Yeah. (they slap/shake hands) Oh, also, that wasn't exactly way that I first planned to talk to Summer. But, I am now on her radar. Do you think I should tell her about Tahiti? Do you?
Ryan: (smiles and rolls his head) Not yet.
Seth: That's what I thought. See that's what I was thinking. I wanted to make sure we were, like, on the same page. Quite a little night we had there. (curls up in the cushions, sleepy) I'm not going to forget it. Ryan, I'm not going to forget that one.
Ryan looks over to say something but sees Seth has fallen asleep on the pile of cushions, still wearing his suit.
SCENE 37
Ryan walks outside. He sees a jeep pull up at Marissa's house then Summer and another girl carry a passed out Marissa up the driveway. They are giggling and obviously drunk.
Summer: I can't believe her.
Girl: I swear to God she is so retarded sometimes.
Summer: Shouldn't her boyfriend be doing this? (giggles) He's so worthless.
They sort of trip/drop her. They giggle and shush each other.
Summer: (whispering) Coop, where are your keys? (no answer from Marissa, still passed out) How are we going to find her keys? (roots through Marissa's purse) I can't find her keys.
Girl: We can't wake her parents. Her dad'll go ballistic.
Summer: I know, I know. (gets up) Bye, Coop.
Girl: Call us.
Summer and the girl leave Marissa lying on her driveway. Ryan watches them leave. He goes down to where Marissa is and, after shooting a couple worried glances at the house, tries to wake her.
Ryan: (taping Marissa's arm lightly, whispering) Hey. (no response from Marissa, then to himself) Get your keys.
Ryan looks in her purse for the keys, still glancing at the house worriedly. Ryan carries Marissa (still passed out) to the pool house, puts her on the bed and covers her with a blanket.
SCENE 38
The next morning Ryan (he slept on some flat, mattress thing on the floor) wakes and sees the bed where he left Marissa is empty. Seth is still asleep on the cushions. Kirsten enters the pool house.
Kirsten: (sounding angry and relieved) Thank God. (sighs)
Seth stirs and half waves at her.
Kirsten: What happened to your face?
Seth: Mmm. I got into a fight.
Kirsten: With who? Why?
Seth: I don't really know. I don't really remember. Um... I was really drunk. Yeah, I think I still am a little bit. (slouches to lay back down)
Kirten: (pissed) Let's go, house, now.
Kirsten grabs Seth by the hand and yanks him up and pulls him out of the pool house.
At the doorway Seth turns and tries to wave as he stumbles through.
Seth: Later.
Kirsten glares at Ryan before shutting the door.
SCENE 39
Sandy (in beach attire) unloads his surfboard from the car. Kirsten walks over from the doorway.
Sandy: Oh, Honey, you should have seen the waves coming in. Six foot and it was going off-
Kirsten: (angry) Seth got into a fight.
Sandy: He did?
Kirsten: This is what happens when you let someone like this into our house. When you let our son hang out with criminals.
Sandy: Well, at least he has someone to hang out with. Don't salt his game, honey.
Kirsten: What the hell does that mean?
Sandy: I ... it ... I don't know. I just know that I'd rather have Seth hanging out with Ryan than some trust fund kid from around here who only cares about getting a new Beemer every year. There's a whole world outside this Newport beach bubble.
Kirsten: You don't seem to mind living in this bubble.
Sandy: I-I know there's something else out there. You remember when we were twenty-two? What did you say? You said you'd never... you'd never be like you parents, never have their life.
Kirsten: I was twenty-two. I stank of patchouli and I lived in the back of a mail truck.
Sandy: And you were fun. And rebellious... and... and... (smiles) you married me.
Kirsten: I can't. I'm sorry. I don't want this kid in my house anymore.
Kirsten starts walking back to the door.
Sandy: Where's he supposed to go?
Kirsten: (stops and turns) He has a family, Sandy. It's not up to you to decide whether or not they're good enough.
Kirsten goes back into the house.
SCENE 40
Kirsten goes into the kitchen and stands stiffly, arms crossed. She remains like that throughout the scene. Ryan is there looking out the window.
Kirsten: Look, Ryan, I don't mean to play bad cop. It's nothing personal.
Ryan walks over to the stove and pushes something with a spatula.
Kirsten: Is that bacon?
Ryan: I usually make breakfast at my house. My mom's not much of a cook so, ...
Kirsten: I'm sorry. You seem like a really nice kid.
Ryan: It's okay. (brings bacon to the set table) I get it. (walks over to where Kirsten's standing) You have a really nice family.
Ryan leaves the kitchen, his backpack with him.
SCENE 41
In his bedroom Seth sleeps. Ryan walks in and knocks on the door jam (the door was open).
Ryan: Hey, man.
Seth: (rolls over) Hey.
Ryan: Hi. So, ... I gotta jet.
Seth: Are you leaving? So ... (goes to get up but almost sits back down on the bed wincing like he's got a hangover) um. So, what's up? (walks over to Ryan)
Ryan: I got to go back. Try to figure some stuff out back home.
Seth: Okay. Well ... cool. Or ... not cool, but, uh, you know, what I think I mean.
Ryan offers his hand to shake.
Seth: Come here.
Seth pulls Ryan into a hug. Ryan slowly hugs back a bit. They part.
Seth: I'll come down to Chino. You know, I'll visit you. You can show me your world. Or your (finger quotes) hood, or ...
Ryan: All right.
Ryan turns to leave. Seth stops him.
Seth: Wait a second. Just wait a second. (walks over to the desk and grabs something then gives it to Ryan) Maybe there's someplace you want to go. (Ryan looks at the folded up map and flips it over, it's folded to show Tahiti) It's pretty good for ideas.
Ryan smiles and chuckles softly. He lightly slaps Seth in the face with the folded up map.
Seth: (amused) Ah!
Ryan leaves.
Seth: (smiles and waves) Okay.
SCENE 42
Ryan and Sandy are in the car (Ryan's bike is loaded in the trunk). As they pull out of the driveway Marissa is standing at the end of her drive and she watches them. Ryan looks pretty unhappy. He looks back over his shoulder, watching her as they drive away until Luke's truck pulls up and blocks his view. As they drive back to Chino Ryan looks sad (or thoughtful or depressed - it's all kinda hard to tell). Sandy looks pretty bummed too. They pull up to Ryan's house (there's an old mattress in the front yard, ratty easy chair on the porch).
Ryan: So, thanks. For everything.
Sandy: I'm going to make sure everything works out,
Ryan.
They get Ryan's bike out of the trunk. Ryan heads for the house.
Ryan: It's okay. I can take it from here.
Sandy stands by his car watching. Ryan unlocks the front door and goes to walk in but stops short, looking around. The house is empty except for some random, abandoned junk. All the furniture is gone. Ryan quickly looks in a couple rooms but finds nothing. He returns to the kitchen area and finds a note on the counter. Leaning his head against the cupboard he picks it up and crunches it in his hand. Sandy comes in the open front door and looks around. Ryan turns and looks back at him.
Sandy: Come on, let's go.
Ryan, looking kind of shocked and blank, walks over to the door. Sandy puts his arm around his shoulders and pulls the door shut as they leave.
안돼! 안돼!
손들어!
두 손을 볼 수 있게 계기반에 올려놔!
라이언. 난 샌디 코헨이다.
법원이 날 네 관선변호인으로 지명했단다.
이 정도면 양호한거다.
- 괜찮니? 그 사람들이 잘 대우 해준거니?
- 형은 어딨어요?
음. 트레이는 18살이 넘었더구나. 차를 훔쳤고,
총기를 소지한데다가, 주머니에 마리화나
30그램을 지녔고 전과 2범이더구나.
내 생각엔 트레이는 3년에서 5년형을 받을거 같다.
하지만 트레이는 내 관심사가 아니지.
교도소는 처음이지?
네가 여기 다시 올리는 없다고 생각한다만.
네 성적이.. 훌륭하진 않구나.
싸우다가 정학당한게 2번, 등교거부가 3번…
네 시험점수가, SAT에서 98퍼센트?
※SAT : Scholastic Aptitude Test 학습 능력 적성 시험
라이언, 98퍼센트야,
공부 다시 시작해서 대학 갈 생각 없니?
네 미래에 대해서 전혀 생각 해본적 없니?
이봐. 난 네 편이야. 좀 도와줘봐.
현대의학은 인간의 평균수명을
100살까지 늘려놨어요.
하지만 사회보장제도가 2025년 안으로
파산한다는 기사를 읽었어요.
이건 사람들이 80세 까지
일을 해야 한다는 걸 의미하죠.
그래서 전 어떤것도 빨리 결정하고 싶지 않아요.
이봐, 난 이걸 경범죄로 형량을 낮출 수 있어.
더 좋으면, 집행유예로 끝날 수 있지.
하지만 이건 알아둬. 형이 하라고 했다고 차를
훔치는 것은 어리석은 짓이고 한심한 짓이야.
그리고 그런 짓은 네가 더이상
앞으로 전진하지 못 하게 하지.
- 그것만은 아니겠죠.
- 그걸 바꾸고 싶어?
그럼, 넌 네 인생이 나쁜 쪽으로만
흘러간 사실을 이겨내야해.
난 알아. 나도 같은 처지였어 라이언.
난 돈도 없이 브롱크스 후진데서 자랐다구.
아버지는 돌아가시고,
어머니는 하루종일 일 나가셨지.
난 화만 냈어. 어리석었지.
그런데 성공하셨네요.
너같이 영리한 애는 계획을 가져야 해.
이를테면 꿈 같은거.
예 맞아요. 나도 말 좀하게 해줄래요?
내가 자란 곳에서는요,
꿈을 가지는게 영리한게 아니에요.
꿈은 이루어지지 않는다는걸 아는게 영리한거죠.
내 사무실에서 네 심리날짜를 알려줄거다
기억하죠.
믿을수가 없어!
이 집안은 대체 왜들 그런거야, 어?
내가 도대체 너희들에게 뭘 더 해줘야 하니?
네가 말좀 해봐.
앳우드 부인? 전 샌디 코헨입니다.
라이언의 변호사죠.
당신은 이 애를 그냥 교도소에
집어넣어 놓았어야 했어요.
이 애 아버지처럼
이 애 형처럼 말예요.
가자, 라이언. 빨리!
내 명함을 주마. 내 집 전화번호다.
누군가 필요하거나 힘든 일 생기면, 전화해.
- 가자구!
- 알았어요!
난 더이상 견딜 수가 없어, 라이언.
난 못해.
미안해요, 엄마.
네가 집을 나가주었으면 한다.
나가!
하지만 엄마... 내가 갈 데가 어디있어?
네 엄마 말 들었지.
짐 싸서 나가.
- 이봐, 여긴 네 집이 아니라구.
- 오, 이젠 터프가이 흉내냐?
A.J, 그러지마. 라이언, 그냥 나가라.
니 걱정하지 그래 A.J?
우리 엄마한테 얹혀 살지만 말고 말야?
그만!
그만해!
The O.C. Season 1
Episode 01 - Pilot
동영상 제공 : 강태웅
영문자막 제작 : 테리 (terius2k@nate.com)
번역 및 한글자막 제작 : 송용호
통합자막 제작 : 김정환 (golbin_i@hanmail.net)
네이트 드라마 24 (http://club.nate.com/24)
자막 수정은 자유롭게 하시고요.
무단이동은 삼가해주세요.
이동시 문의바랍니다.
말했지. 이 정도면 양호한 편이었다고.
좋은 차네요.
아저씨가 돈 잘 버는 변호산줄은 몰랐어요.
아냐. 난 못 벌어.
내 아내가 잘 벌지.
음, 여기서 잠깐만 기다릴래? 곧 돌아오마.
열쇠 꽂힌 차엔 관심없어요.
그 애를 집에 데려왔어요?
- 그 애는 길잃은 강아지가 아녜요, 샌디.
- 나도 알아, 크리스틴.
당신이 범죄자를 집안에 들이는게
시간문제일 줄 알았어요.
- 라이언은 범죄자가 아냐.
- 당신 그 애를 감옥에서 만나지 않았어요?
그래, 법적으로는 그렇지. 하지만 중죄는 아냐.
그리고, 범죄는 저질렀지만,
내가 범죄자가 안되게 만들거잖아.
당신은 우리집을 위험에 빠뜨리고 있다구요.
당신, 세스 생각은 해보기나 했어요?
이번 주말만이야.
월요일에 아동보호소가 문을 열때까지만…
이게 모두 사기라면요?
우리집을 털기전에 살펴볼려고
당신을 이용하려는 거라면요?
이 앤 악질범죄자가 아냐.
아는 사람도, 갈데도 없는 아이일뿐이라고.
- 당신 언제 그렇게 냉소적이 된거야?
- 그런 당신은 언제 그렇게 독선적이 된거예요?
난 언제나 독선적이었어.
- 당신은 매력으로 알아주었잖아.
- 그 앨 수영장 관리소에 재워야겠어요.
- 어디가는데?
- 내 보석들을 금고에 넣으러요…
내가 어딜 갈거라고 생각해요?
새 시트랑 타월하고 칫솔이 필요할거 아녜요.
- 당신 누구죠?
- 누구든 당신이 바라던 사람이겠죠.
오...그렇군요.
이봐요, 담배 하나만 줄래요?
- 진짜로 당신 여기서 뭐하는 거죠?
- 정말 알고싶어요?
차를 훔쳐서 부셔버렸죠.
사실은 내 형이 그랬지만요.
형이 총이랑 ㅁㅇ을 가지고 있어서요,
형은 감옥에 갔죠.
난 석방됐고 엄만 날 내쫒았어요.
엄만 무척 화나있었고 취했었거든요.
그래서 코헨씨가 날 여기 데려왔죠.
당신 보스톤에서 온 코헨씨네 친척이죠, 맞죠?
맞아요.
- 안녕 마리사.
- 안녕하세요 아저씨.
아저씨 조카 만나고 있었어요.
오. 내가 매우 좋아하는 조카지.
라이언이라고해. 시애틀에서 왔어.
- 시애틀이라구요?
- 아버지가 거기 살아요. 어머니는 보스톤이구요.
흠.
우린 내일 네 기금모음 패션쇼를 정말 기대하고 있단다.
정말요? 아저씨도요?
아니.
타. 가자.
이봐요, 당신도 다른 계획 없으면 와도 좋아요.
- 또 뵈요.
- 잘가라.
안으로 들어가자꾸나.
참, 집 안에서는 금연이다.
여기가 네가 머물 곳이고,
이 사람이 이 집의 여왕님이신 내 아내 크리스틴이다.
안녕 라이언. 우리집에 온걸 환영한다.
필요한게 있으면, 로지가 도와줄거다.
고맙습니다. 정말 감사합니다.
아침에 보도록 하자. 편히 지내도록 해라.
안녕.
안녕.
너도 할래?
오, 영웅이 되고 싶은거 같은데,
좀 건방지군.
X O X O. 이건 필살의 콤비네이션이지.
어! 어! 어…!
어떻게 된거야, 친구.
머릴 어디다 두고다니는거야.
미안. 내가 누굴 죽였나?
아, 이봐 "위대한 자동차 도둑" 한번 해 볼래?
정말 멋진 게임이야. 자동차 훔치는 게임인데 마음에 들...
재밌는데.. 재미없을려나.
모르겠다. 음…
너희들 벌써 만났구나.
세스, 이 좋은 날씨에 안에서 뭐하고 있는거니.
라이언에게 근처 안내 좀 해주지 그래니?
알았어요, 근처에 좋은곳 많으니까
안내 해줄데야 많겠죠, 아빠.
넌 뭐하고 싶은데?
넌 보통 뭐하고 노는데?
내겐 계획이 하나 있거든.
글쎄, 니가 어떻게 생각할런지는 모르겠지만
돌아오는 7월에 무역풍이 서풍으로 바뀌면
타히티까지 항해하고 싶어.
44일만에 갈수 있을꺼야.
어쩌면 42일만에도 가능해.
와. 그.. 그거 참 멋진 이야기네.
그래. 그저 파도를 타다가 뱃전에서 낚시도 하고
잡은걸 바로 그 자리에서 구워서 먹는거야.
정말 적막하고. 고독하지.
- 외롭지 않겠어?
- 뭐, 써머랑 같이 갈거야.
타히티에 이 배도 가지고 갈거야?
음.. 이 배랑 같이 말야.
배 이름을 그 애 한테서 따왔거든.
그 애, 무척 좋아했겠네.
아, 그 앤 몰라.
그 애랑 한번도 말해본적이 없거든.
안녕, 얘들아.
패션쇼엔 7시쯤에 갈까하는데 어떠냐.
예. 다녀오세요.
- 새 학년 새 학기잖니, 세스
- 그래봤자 애들은 같은 애들이에요, 아빠.
왜 그 사람들이 그렇게 패션쇼를 열고 싶어하는지 모르겠어요.
그 사람들에겐 매일매일이 패션쇼일텐데요.
좋아, 하지만 라이언은 가야돼.
마리사가 초대했단다.
마리사가 널 초대했어?
난 계속 마리사네 옆집에서 살아왔는데 말야.
그 애 아버지가 우리 엄마랑 결혼 할뻔도 했거든.
그 애는 자기 생일에도 날 초대한적 없었다구.
그건 사실이 아니란다. 결혼 할뻔하지 않았었어.
- 글쎄요.
- 써머도 가지 않을까?
재밌군. 그 앤 마리사의 제일 친한 친구지. 7시랬죠?
- 그래, 7시
- 예. 7시요.
안녕. 또 왔다.
- 아빤 집에 안 계세요.
- 그럼 언제 들어오시니?
전 몰라요.
음.
그럼, 아버지 오시거든 우리가 무척이나
대화하고 싶다고 다시 한번 전해주겠니?
내 명함을 하나 더 주마.
잘 지내라.
아, 고맙구나, 애야.
난 그냥 지금은 그 사람들이랑 이야기하고 싶지 않을 뿐이란다.
이 사람들 누구예요?
정장에, 관료적이고.. 정부사람이지 뭐.
- 제 말은, 무슨 일이 생긴건 아니죠?
- 그래, 이건 그냥 어.. 고객과의 문제일 뿐이야.
네가 걱정할만한 일은 아니란다. 알았지?
와, 근사한데. 잘 어울리는구나.
넥타이는 어딨니?
넥타이는 안 할거예요. 안하는게 더 좋아요.
난 25살이 되도록 넥타이 멜줄 몰랐단다.
이리 줘봐.
윗 단추 잠그거라.
좋아, 칼라를 올리고.
그리고, 얇은 쪽을 두꺼운 쪽보다 짧게 내려.
얼마나 짧게 내리느냐에 따라 모양이 달라지지.
가끔은 신기하기까지 하지.
그래, 세스랑 같이 놀았더구나.
어땠니? 재미있었니?
그 애는 알고보면 재미있는 아이란다.
멋진 애예요.
멋지다구?
좋아. 다 됐다.
돌아서서 거울봐라.
어때? 근사하지.
- 엄마, 내 손톱 괜찮은거 같아요?
- 오, 정말 마음에 이쁘구나, 케이들린.
스트레이트 했는데 머리 괜찮아 보이니?
에이브릴 라빈을 너무 따라한거 처럼 보일려나.
- 아니에요, 예뻐요. 엄마.
- 아, 마리사, 예쁘게... 얘두 참,
난 네가 머리 내릴 줄 알았는데.
- 그렇게 뒤로 올리면 좀 거칠어 보이잖니.
- 다 됐다. 가자!
굉장한 밤이 될꺼야.
마리사, 오늘 도나카렌 입을꺼니?
- 정말 봐줄만 하다고 생각했단다.
- 정말 아름답구나, 얘야.
버섯,부추빵 드시겠습니까?
아니면 게와 브리치즈는요?
어둠의 세계로 온걸 환영한다.
오! 당신이 보스톤에서 온 조카군요. 맞죠?
난 당신이 어떻게 살았는지 모르겠네요.
난 거기선 절대 살 수 없을거 같아요. 난 추위가 싫거든요.
당신 ... 시애틀이 좋던가요?
내 말은, 비만 내리고, 울적하지 않나요?
당신이 캐나다 출신이라고 들었는데요 맞나요?
예, 맞아요.
"세븐&세븐" 한잔 줄래요?
고마워요.
고맙구나.
난 너에 대한 남편의 생각이 맞았으면 좋겠다.
어이, 루크. 뭐해?
어이. 엿이나 먹어, 호모새꺄.
나도 방학 잘 보냈어.
물어봐줘서 고마워.
써머가 바로 저기 있어.
봐. 미안. 잠깐. 보지마. 보지마.
내말은, 봐도 되는데,
그런 눈으로 쳐다보지 말라고.
안녕, 아빠.
안녕, 얘들아.
쟨 누구니?
음, 조카인 수영장 관리인?
난 모르겠는데.
- 그럼, 내가 알아볼까나.
- 저 앤 써머 아니냐?
어, 음, 전 좀 앉을께요.
그건 그 애를 방해하는 거예요, 코헨씨.
안녕, 체스터. 여기 자리 임자있니?
없데.
체스터, 다음 항해수업 기대하고 있어?
너 정말 많이 발전했더라.
그래, 오랜만에 만나서 회포를 푸니 좋았다.
감사합니다. 감사합니다.
와주셔서 정말 감사드립니다.
매년 우린 '학대 당하는 여성들의 은신처'를
위한 기금마련 패션쇼를 개최해왔습니다.
이건 무척 훌륭한 행사입니다, 여러분.
그리고 우린 여러분들과 '패션아일랜드'
그리고 그들의 훌륭한 상점들의 후원이
없었으면 해내지 못했을 겁니다.
시작하겠습니다. 쇼를 즐겨주세요.
타히티 문자로 온몸을 휘감았군.
지금 뭐하는 건가요.
내 딸에게 "케빈 클라인"을 입힐건가요?
이 앤 "베라 왕"을 입을 줄 알았는데요.
이 애가 가슴이 더 컸으면 그랬겠죠.
사춘기란다, 얘야. 곧 커질꺼야.
자, 얘들아. 쇼타임이야.
마리사, 다음 너 차례야.
내가 뭘 훔쳐왔게?!
난 뭘 훔쳐왔게?!
- 좋았어! 여기.
- 고마워.
애가 너무 예쁘네요.
이봐, 자네 저 드레스 사는데
내 연봉보다 더 비싸게 준거 같군.
그게 우리 돈을 안심하고 그에게 맡기는 이유지.
- 난 부자로 죽는걸 기대하고 있다고, 지미.
- 분명히 절반은 이루어졌을꺼야.
괜찮아, 지미?
응. 그냥, 어.. 여긴 좀 답답해서.
나 바람 좀 쐬고 올께, 알았지?
마리사는 "프라다 메리 제인스"를
입고싶어 했는데,
내가 "실레토 마놀로"를 입으라고 말했죠.
이봐. 어디 가는 거야?
내 친구, 홀리가..
음, 그 애 부모님이 우리 모두 행사때문에
고생했다고 해변 별장을 써도 좋다고 했거든.
타고 갈게 필요하거나 하면..
난 써머라고 해.
돌아갈 준비됐니?
우리 홀리네서 하는 파티에 가야 할거 같은데.
- 어, 됐어. 난 괜찮아.
- 써머가 날 초대했어.
정말? 그 애가 널 초대했어?
우리를 초대했어. 사실은 널 초대했지만.
정말? 그 애가 그랬다구?
빨리 와!
절대 말이 안되는 거 같지만,
그래, 뭐 가도 괜찮겠지.
우린 저 애들이랑 갈께요. 고마워요.
가봐서 재미없으면 그냥 돌아가지 뭐.
어둠의 세계로 온걸 환영한다.
오, 코카인이라. 멋지군.
핸드백 새로 샀니?
- 물론이지.
- 정말 예쁘다.
너희 아빠는 안 사준다고 한적 있는거야?
얘들아. 내가 누굴 데려왔는지 봐.
정말 귀여운데.
나 저 애랑 화끈하게 한번 놀아볼거야.
화장실 갈래? 난 가고싶은데.
정말 아름답지 않니? 모래, 바다...
그래. 저기 한번 가볼까?
하지만.. 마리사는 어쩌고?
마리사? 걱정마.
안녕, 지미.
- 안녕.
- 안녕, 더스티.
더스티, 누가 왔는지 봐라.
당신 정말 괜찮아?
아, 괜찮아. 정말.
당신 알잖아, 당신은 항상..
아냐. 괜찮아. 난 그냥 좀 일이 힘들어서 그래.
아, 그.. 그 오늘 데려온 앤 누.. 누구야.
당신한테 보스톤에 사촌이 있었던가?
샌디 고객이야.
- 주말동안만 집에 데려온거야.
- 아하.
지미? 여보, 내 얼린 요거트 사왔어요?
아니. 깜빡했어.
알았어. 곧 사올께.
피스타치오 맛으로 사와요. 고마워요.
안녕, 크리스틴.
우리 인생이 이렇게 될줄 생각해 본적 있어?
- 마리사는 아직 안 왔어?
- 어, 그 앤 보통 매우 늦게 와.
- 세스는 절대 밖에 안 나가는데.
- 흠, 걱정마.
그 애들은 우리가 하지 않은 걸 할리없어.
위안이 되네.
아, 미안해.
욕실에서 세명이 하고 있을땐
노크를 했어야 하는데 말야.
첫번째 통이야! 모두들 벗었네!
안녕.
안녕.
이 곳에 대한 감상이 어때?
내가 자란 곳보다 더 문제가 많은거 같군.
얘! 네 차례야.
넌 조금도 모르고 있어.
내가 술통 고쳤어. 좋아, 좀더 줄래?
어라.. 이게 누구야.
이런. 나 취했나봐.
- 그런데 너 이름이 뭐니?
- 라이언.
라이언, 이리 좀 와봐.
음..
너 지금 뭐하고 있는거야?
이것봐요?
지금 뭐하고 있는거냐고.
난 내 배를 저 애 이름을 따서 붙였다구.
뭐? 우~. 넌 누구니?
니가 생각하는 그런거 아냐.
저 앤 좀 취했어. 알았어?
이리와, 라이언.
세스.. 이봐 세스!
건들지마!
너 왜 치노로 돌아가지 않는거야?
여기 니가 훔칠만한 근사한
차들이 저렇게 많아서 그래.
치노? 이런.
저리꺼져, 멍청아.
누가 널 불렀어?
니들 날 때릴려고? 그건 너무 뻔한데.
- 니들 정말 진부한걸 좋아하는 구나.
- 입닥쳐.
이봐!
그 애 내려놔! 그 앨 놔줘!
안녕 라이언. 무슨 일이냐?
내려놔.
이봐, 무슨일이야. 무슨 문제있어?
니가 말해보지 그래.
O.C. 에 온걸 환영한다, ㅁㅁ아.
이게 O.C. 에서 일이 처리되는 방식이지.
글쎄, 뭐.. 뭐라고 말해야 할지 모르겠는데..
그때 말했던거 전부 취소할께.
우리 무슨 격투클럽 같은데서 싸운거 같은데.
잘 모르겠다. 내가 무슨 생각하고 있는지 알어?
라이언, 네가 몇가지 기술만 좀 가르쳐주면 말야.
다음번엔 그 놈들을 완전히 때려눕힐 수 있을거 같아.
내 생각어때. 좀 가르쳐줘. 내 말 알아들었어?
그리고 이것저것 좀 가르쳐줘.
어떻게 생각해?
좋아.
그리고 처음 계획했던 방식으로
써머랑 이야기하진 못했지만.
이제 그 애 눈에는 띄었지.
니 생각엔 내가 타히티에 관해서
그 애에게 말했어야 한다고 생각하냐?
아니, 아직일러.
나도 그렇게 생각했어.
지금도 그렇게 생각하고 있고.
그냥 너두 생각인지 확인하고 싶었어.
굉장한 밤을 보냈어.
난 잊지 않을꺼야.
라이언, 난 잊지 않을꺼라고.
얘가 이럴 줄 몰랐는데.
정말, 얜 가끔 진짜 바보 같다니까.
얘 남자친구가 데려왔어야 되는거 아냐?
그 놈은 정말 쓸모없다니깐.
마리사, 열쇠 어디에 있니?
열쇠를 어떻게 찾지?
난 못 찾겠어.
얘 부모님 깨우면 안되는데.
마리사네 아빠 정말 화낼꺼야.
나도 알아.
안녕, 마리사. 전화해.
이봐.
열쇠 어딨어.
세상에.
너 얼굴 왜 그러니?
으음. 어제 좀 싸웠어요.
누구랑? 왜?
나도 잘 몰라요.기억 안 나요.
음.. 무척 취했었거든요.
- 지금도 좀 취해있는거 같구요.
- 집으로 들어가자.
빨리.
나중에 봐!
오, 당신 그 파도가 오는 걸 봤어야 하는데.
- 6피트라구. 그리고 더 높아져갔지.
- 세스가 간밤에 싸움을 했어요.
그 애가 싸움을?
당신이 그런 애를 집으로 들여놓으니 이런 일이 생기는 거잖아요.
범죄자랑 아들을 같이 어울리게 놔두다니.
글쎄, 적어도 누구하고 어울리긴 했잖아.
여보, 그 애 일을 방해하지 말아요.
그건 대체 무슨 뜻이에요?
그.. 난.. 난 모르겠어.
난 그냥 세스가 새 차를 사는 것밖에는
관심없는 이 근처 애들보단
라이언하고 노는게 더 나을거라고 생각했어.
여기 밖 세상은 무척 넓다구.
당신이 여기서 사는걸 싫어하는 줄 몰랐는데요.
밖의 세상은 여러가지가 존재한다구.
당신 우리가 22살때 기억하고 있어?
그때 뭐라고 했어.
당신은 당신 부모님을 좋아한적 없다고 했잖아.
당신 절대 부모님처럼 살지 않겠다고 했잖아.
난 22살이었어요. 파출리에 쩔어있었구요
난 우편배달차 뒷칸에서 살았다구요.
그래도 당신은 재미있었잖아.
그리고 반항적이었지.
그리고, 그리고 나와 결혼했잖아.
난 그렇겐 못해요. 미안해요
난 그 아이를 이 집에서 내보내고 싶다구요.
그 애가 갈데가 어디있겠어?
그 앤 가족이 있어요, 샌디.
그 사람들이 좋은 사람들 인지를
당신이 결정할 의무는 없어요.
라이언, 난 나쁜 경찰처럼 행동하는게 아니란다.
개인적인 감정이 있는건 아니지만..
그거 베이컨이니?
우리집에선 제가 아침을 준비하거든요.
엄만 요리를 잘 못해서요. 그래서..
- 미안하다. 넌 정말 좋은 아이란다.
- 괜찮아요.
이해해요.
아줌만 훌륭한 가족을 가지고 있어요.
안녕, 친구.
- 안녕.
- 안녕. 나 이만 간다.
가는거야?
그래.. 흠.. 근데 무슨 일이야?
돌아가야해.
돌아가서 해결해야 할게 몇가지 있어.
알았어. 잘됐군. 아니 그런건 아니고,
그러니까, 내 맘 알지?
이리와.
내가 치노로 갈게.
너네 집 방문하면 네가 사는 세계도 보여줘.
아님 너네 동네 깡패라도..
※Hood : (속어 = HOODLUM) 불량자, 깡패, 폭력배
좋아.
잠깐. 잠깐만 기다려봐.
흠.
아마 네가 가볼만한 곳 일꺼야.
정말 좋은 곳이지.
아!
고마워요. 여러가지로.
모든게 확실하게 잘 되도록 하마, 라이언.
괜찮아요. 여기서부턴 혼자갈께요.
이리와. 가자.